#1
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What is a natural-sounding, small (portable) acoustic amp?
Hello,
I am putting a K&K mini pickup into my son's guitar. He already has an amp that he uses for his electric guitar - it's a Line 6 Spider amp. I'm thinking that's better suited to an electric guitar than an acoustic guitar, but if you feel differently let me know. What amp would be good for a natural sound? I prefer under $250, and not too heavy to transport easily. Thanks.
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Martin OM28 (European Spruce/EIR) Collings OM3A (Adirondack/EIR) Greven OOO (Lutz/Brazilian) Greven OO (Lutz/Maple) ARK Senorita S6-12 (Adirondack/Mahogany) Circa OOO-12 (European Spruce/Mun Ebony) |
#2
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There are a few threads here about small acoustic amps. Seems lots to choose from for right around your figure and I'm sure many will be chiming in with their opinions.
I keep hearing lots of great things about the UltraSound DS4 which can be had for $389 and would be something "I" would be seriously looking into if "I" were in the market for a quality natural sounding amp. I use a small PA so I don't have any personal experience with any.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#3
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For acoustic guitar I LOVE my ZT Lunchbox Acoustic amp.
http://www.ztamplifiers.com/products..._acoustic.html |
#4
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#5
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Louis |
#6
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If you can find one, the Mountain is a really great sounding amp that runs on a 9V battery. Very attractive solid wood cabinets, most were maple but I got prototype in koa. Really surprising how good they are, worth seeking out as they stopped making them several years ago.
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#7
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I owned a ZT-Lunchbox and sold it to a classical player. It's useless for vocals, underpowered, and gets lost in a mix of 3 players. I recommend the UltraSound AG-15M (note the M) which is a smaller sibling to the UltraSound AG-50. Same 8" coax, two channels (one XLR the other ¼"), three way tone plus presence control, and a patch bay built in. I've seen them at Elderly (not currently available 1-24-14) and Full Compass (ready to ship in 1-2 weeks). The single channel ¼" only version (AG-15) can be had for $129. I use one of these for small gigs in place of my larger AG-50. The single channel model is readily available at a lot of places. Plenty of power and volume. The three way tone plus presence control is very good. Basically the same weight class as the ZT-Lunchbox, but more power and better tone. Hope this helps...
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Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... …Just because you've argued someone into silence doesn't mean you have convinced them… Last edited by ljguitar; 01-24-2014 at 05:24 PM. |
#8
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Ultrasound AG30. Inexpensive, transparent, light weight.
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#9
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He has no specific plans though at the rate he's going I can see him performing at local events with friends. Best.
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Martin OM28 (European Spruce/EIR) Collings OM3A (Adirondack/EIR) Greven OOO (Lutz/Brazilian) Greven OO (Lutz/Maple) ARK Senorita S6-12 (Adirondack/Mahogany) Circa OOO-12 (European Spruce/Mun Ebony) |
#10
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Since this post, I have performed on stage with a band consisting of a drummer, keyboards, vocalists, and electric guitar! So, an amp that can work for an intimate setting as well as in the mix of a band.
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Martin OM28 (European Spruce/EIR) Collings OM3A (Adirondack/EIR) Greven OOO (Lutz/Brazilian) Greven OO (Lutz/Maple) ARK Senorita S6-12 (Adirondack/Mahogany) Circa OOO-12 (European Spruce/Mun Ebony) |
#11
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The Carvin AG200 meets all your stated needs, except the price:
http://www.carvinguitars.com/products/AG200 - OUTPUT POWER: 8 Ohms: 200w, 4 Ohms: 250w - FREQUENCY RESPONSE: +/- 1 dB 20 Hz - 20 kHz amplifier section - OUTPUT MODE: 94% efficiency CLASS D technology - POWER SUPPLY: high frequency switching - INPUT IMPEDANCE: CH1 & CH2: >100Kohms or >500K ohms (switched) - PHANTOM POWER: +48V (Ch. 1 & 2) - GAIN SWITCH: +10 dB - accommodates all pickups (Ch. 1 & 2) - LO & HI TONE CONTROLS: +/-12 dB at 70 Hz & +/-12 dB at 8.5kHz - MID Parametric: +/- 15 dB sweepable 100 to 2kHz - AMP LIMITER: built-in to the help prevent clipping - DIRECT OUT: adjustable OFF to +4dBu, DC isolated XLR bal output, 100ohm ground lifted - EFFECTS LOOP: -10dBV, buffered - FS22 FOOTSWITCH: EFF 1 & EFF 2 on/off - PROTECTION: speakers, over current, under voltage, thermal - AC VOLTAGE: 90-250V, 50-60 Hz - Power Requirements: 100VA - CIRCUIT BOARDS are MIL SPEC, double sided, FR-4 glass epoxy - DIMENSIONS: 18.5" high x 11.5" deep x 12.75" wide (470 x 290 x 325mm) - NET WEIGHT: 26.1 lbs. net (11.85 kgs) - WARRANTY: 1 year parts and labor - MADE IN THE USA |
#12
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In terms of which to get, I'll probably have rotten vegetables thrown at me for recommending a Behringer product, but I have a Behringer ACX450 (right in your price range: $230) and it performs quite nicely with my Simon & Patrick Woodland Pro Folk that is equipped with a K&K Pure Mini. Moreover, although I have a Baggs Para DI pre-amp, the Pure Mini sounds great going directly into the Behringer. So, no pre-amp will be needed. If it matters, vocals (through a Heil PR-22 mic) also sound just fine through the ACX450. Interestingly, although the Behringer performs just fine for rehearsal/practice, I plan to start playing out after the first of the year, and plan to upgrade amps to the Carvin AG200 ($400) at that time!
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2017 Alvarez Yairi OY70CE - Sugaree c.1966 Regal Sovereign R235 Jumbo - Old Dollar 2009 Martin 000-15 - Brown Bella 1977 Gibson MK-35 - Apollo 2004 Fender American Stratocaster - The Blue Max 2017 Fender Custom American Telecaster - Brown Sugar Think Hippie Thoughts... |