#1
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Bridge plate advice
I discovered yesterday that my supposedly-Gibson-made prototype kona doesn't have a bridge plate. Since the top is very thin and fairly soft mahogany or sapele, I'm afraid that the string balls are going to work through it and possibly pull the bridge off. I've made a small plate saver for it out of aluminium, but I'm wondering whether to go with a bigger one, possibly made out of some other material, maybe laminex or the like, or whether I should go the whole hog and install a bridge plate. I would consider non-trad materials in addition maple.
FWIW, I think that the plate saver might have improved the tone a bit, but that could just be confirmation bias. Any and all opinions on my options would be welcome.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ Last edited by Kerbie; 12-16-2017 at 09:25 PM. Reason: Edited |
#2
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What makes you think its Gibson made? If it has no bridge plate, I'd install a Maple one, asap.
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DD Gibson J-45 TV (LR Baggs Lyric) Gibson J-45 Legend Gibson J-50 (K&K Pure Mini) Martin D-35 (Trance Audio M) Gibson J-35 Vintage (Trance Audio M) Martin 1937 D-28 Authentic "Aged" |
#3
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It was sold to me as such by a dealer here in Oz. A number of them were reputedly made by Gibson shortly after they acquired the Dobro mark from OMI, and it was possible to find references to them, and even examples for sale. It would be a couple of years since I saw one, the asking price was US$3500. I have a link to a mention of them on the other computer. It certainly looks like a prototype, fit and finish was very rough. If anyone knows any more about them, I would be very glad to hear it.
The lute hole is a temporary add-on, when I was experimenting with modifying its tone.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#4
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Bridge plate
It's an easy enough job for a competent luthier. I'd remove the strings and have one added before any (more) damage is done.
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1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#5
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I could do it myself, but I'm wondering if it is really necessary if I use a decent plate saver, and/or whether it needs to be glued on or whether a more easily reversible mounting, such as carpet tape, would suffice. I think I will have to use glue, because that pearl dot hides a bolt, and that would be best tightened against a firm mount.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#6
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Here's a non-invasive technique that you could try:
1/8" aluminum rivet washer between the ball end and the underside of the top http://www.acousticguitarforum.com/f...d.php?t=293004 |
#7
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Quote:
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#8
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Quote:
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#9
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Quote:
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#10
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I swear I saw something about this guitar a few years back on another forum. I seem to recall that somebody who worked for or was associated with Gibson responded that Bozeman never produced such a prototype.
Still it is nice looking Weissenborn, whomever made it. If I recall the original guitars did have pretty large bridge plates. I have heard them referred to as "Christmas Tree" plates.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#11
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1/8" thick lexan that is drilled to match as necessary for strings or whatever . It will conform to a shape if necessary and provide necessary support and protection .
It needs not be affixed and can be trimmed or shaped as needed for thew desired footprint . Sonically transparent , dense and low mass . |
#12
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Quote:
https://bb.steelguitarforum.com/view...4293829065b476 And this from a search a few months back: https://bb.steelguitarforum.com/view...abd0fb43688465 The workmanship might be rough, but it was obviously designed as a "serious" acoustic as opposed to a lookalike. For example, the bracing is apparently similar to the original konas, a hybrid of ladder and cross, and it only weighs 2 1/2 lb.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ Last edited by Tony Done; 12-17-2017 at 04:56 PM. |
#13
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Really interesting stuff. That one thread makes it sound like the Kona was built after Gibson closed the CA facility by employees who were still there. So while Gibson still owned the Dobro moniker the employees were intending to build instruments under a new company - that AGC. That would seem to explain the Gibson confusion.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#14
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Quote:
I got distracted this morning, making a new armrest for the reso uke. It turned out well. I might get back to the plate saver later, when it has cooled down a bit.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#15
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Here it is. I couldn't find the lexan, this is 4mm aluminium stock; it weighs a bit more than one brass pin. It looks a bit rough, but the workshop was getting very hot and I wanted to get it finished:
EDIT After having played it a bit, I think it might sound a bit darker than it did before, more like a Weissenborn, especially in the low mids, but it could just be confirmation bias.
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Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ Last edited by Tony Done; 12-20-2017 at 12:05 AM. |