#16
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If that's happening, the pickup is too close to the strings.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#17
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That's a Nashville style Tele. I have one. I love it. I think I lost some of the real twangy Tele vibe with the noiseless pickups, but overall, this is an extremely versatile setup. I have a mini toggle for the neck-bridge combo. The other mini is for a Piezo, but that's a separate discussion. I don't find string pull to be an issue. I have a Duncan Vintage Hot Stack in the middle.
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#18
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#19
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Whats the middle pickup? Looks like a Fender Texas special!
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Current offerings: Wood. 2015 Martin D-18 E-Retro Stamped "Made in USA" 2014 Martin GPCPA4-Natural Stamped "Made in USA" Fishman Loudbox Artist Amp. 120 Watts |
#20
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Fender Noiseless Strat middle. This was before there were different types of Fender Noiseless pickups. I'm unsure what model replaced this.
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#21
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S2Y, I love it, especially the B bender and a drop D. Cool rig. -- Darwin
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Stay Tuned |
#22
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Quote:
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#23
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I said "My advice"....not "their advice".
And what I posted is true. You will experience more choking of the strings, especially when you play up high, when a middle Strat pickup with magnets as the pole pieces, is added. If that's not an issue then go for it.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |
#24
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It happens unless you screw the middle pickup right down into the pickguard like Yngwie Malmsteen does. And that's also why he does that: because the guitar sounds better to him.
And it's why my Strat was like this: Then went to this: And finally went to this: I know of what I speak.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 11-23-2015 at 09:43 AM. |
#25
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Being able to hear the difference between a 2 pickup and 3 pickup guitar, takes golden ears, especially in the mix with effects.
I also recall Yngwie not wanting the middle pickup because he often picked in that area. |
#26
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You should see my 'strat' with the Fralin blender and in phase out of phase, coil tap, series and so on switching I can get anything from Tele, Strat, Les Paul and more. |
#27
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Quote:
One of the reasons I play differently on a Tele than a Strat.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 11-23-2015 at 02:55 PM. |
#28
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You seem to have misinterpreted my post. I was just giving the guy the link, and gave him the general tenor of the thread. I don't know what joke of yours I missed, and I don't think the post you quoted was directed at you in any way. At least I don't recall that as my intent.
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#29
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There was a lot of discussion of this once over at TDPRI, with very mixed views. The type of pickup, though, seemed to be the key variable. |
#30
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I do understand how that middle pickup can get in the way, though, in terms of picking. I may play with the pickup heights on mine, see if I can keep the pickups in balance, and keep the guitar sounding good while lowering the pickups. I love the versatility, though.
__________________
--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |