#16
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Seems like this would make the break angle over the saddle way less, almost flat. I don't know if the result would drive the top much. Most of my 20 + instruments are archtop with a floating bridge and tailpiece. It almost seems like using a tailpiece with a fixed bridge would be the worst of both worlds. If you use a resonator tailpiece like in the picture you only need one screw to mount it, but I wouldn't expect the hole to line up with the existing endpin/strap button. If the intonation with the existing bridge is good, then using a tailpiece vs bridge pins should not change intonation so long as the bridge position doesn't change.
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#17
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Bridge reglue would be under $100, just saying. Best solution.
__________________
just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#18
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As has been said - it's been done a lot... Works well enough. And it's cheap. You don't see this done nearly as often as you used to..
If its the type of guitar where you won't have an issue with a tailpiece - then a couple extra screw holes won't ruin the deal... |
#19
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The new tailpiece goes for about 10 uk pounds from amazon. |
#20
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I am planning to reglue it by myself. I watched a few youtube vids on the job and seem straightforward work, but what I need to get for the job is the soundhole / bridge clamps.
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#21
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sounds good if you plan to dabble in repair but you'll need 3 clamps (or that's how many I use) and they're about $25 a piece, with glue that puts you up near the hundred mark.
__________________
just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#22
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You can make a jib that contacts in three spots and use one clamp. A single clamp way more force than needed so the trick is clamping down in three spots - I made a wood jig and capped the three pillars with cork.
__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#23
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Does it have to be special glue? I have a bottle of plain wood glue still plenty left in the shed from last year for other wood work. |
#24
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Great idea. Thank you for sharing.
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#25
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Any clamp with the long reach will work - if you don't have them, then Harbor Freight has a 5" throat clamp for $5.99 that works for most guitars - get 3.
Your pin bridge and saddle drive the guitar by rotating back and forth towards the neck and back again. The tailpiece bridge drives the guitar by moving up and down, a less efficient movement for production of sound. In my experience, this reduces the volume of the guitar a bit. But it has been done a million times - just look at the 12 strings played in the '20's- you could get them either way. |
#26
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__________________
just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#27
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Also, I have a padded block of wood - a little longer than the width of the guitar - that I slip under the C clamp by the soundhole, to support the weight of the clamp(s). They are kind of heavy, and you don't want to introduce any torqueing forces on the top while you're gluing the bridge on. |
#28
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Quote:
Quote:
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Good fit and good wood to wood contact is more important than the glue.
__________________
Rodger Knox, PE 1917 Martin 0-28 1956 Gibson J-50 et al |
#29
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Great info.
I wonder if this glue would be good for the bridge regluing. http://www.ebay.co.uk/itm/TITEBOND-L...-/291366845504 |
#30
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Use Titebond I or Elmer's wood glue. Conventional hot hide glue would also be fine.
Skip the liquid hide glue... |