#1
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McPherson Sable Pickup
I love the McPherson Sable, but am unhappy with the sound of the factory installed pickup (Baggs Element). Has anyone swapped out their Element? If so, what did you install? Were you happy with the result? This guitar will be on stage with substantial volume.
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#2
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Do yourself a favor and call Larry Klenc at McPherson. I had some balance issues with the pickup on my Sable and wanted to install an Anthem unit and he had some good insight. I ended up sending it to them and they put another Element in it and it sounds great.
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<°)))< 1998 Very Sweet Wife 2000 Cute Daughter (Grand Concert) 2005 Handsome Son (Dreadnought) 2007 Lovely Daughter (Parlor) 2017 Cute Puppy (Duke the Uke) |
#3
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I worked with Larry and McPherson replaced the pickup on my guitar as well - the balance was not quite right across the strings. That issue is resolved but I'm still not getting a great sound running in through a Fender acoustic amp - I am even going through an LR Baggs preamp. The issue is with bass response -- it sounds a thin or harsh.
Any insight? |
#4
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Usually, tonal imbalances in UST's are due to fit problems. Both the slot and the bottom of the saddle have to be perfectly flat to get even response.
FWIW I just acquired an Emerald with the more deluxe Baggs Anthem pickup (UST and internal PZM mic) that sounds really good through a decent amp. |
#5
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I haven't plugged in the Sable I have laying around here somewhere... still doing some photos and acoustic only recording... will be having at it next few days plugged in.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#6
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Quote:
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#7
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Quote:
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<°)))< 1998 Very Sweet Wife 2000 Cute Daughter (Grand Concert) 2005 Handsome Son (Dreadnought) 2007 Lovely Daughter (Parlor) 2017 Cute Puppy (Duke the Uke) |
#8
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Hi From McPherson Artist, Juan John!! Questions? Happy to help
Hello Everyone!
Great to read everyone's posts about McPherson Guitars and more specifically the carbon fiber series. I am a signed artist with McPherson Guitars and tremendously enjoy touring all over the country and the world with my McPhersons. I would be happy to connect with with anyone that might have any questions on either the wood or carbon series instruments... pickups, setups, frets, and any other craziness that players go through on any tour situation. www.juanjohnmusic.com I LOVE playing guitar!! 🤣 And would love to offer up any experience that might help. I currently tour as a solo entertainer with the Sable, Touring, Camrielle, and now recently acquired wooden McPherson 12 string. I have put these guitars through the ringer and continue to do so. Feel free to ask anything regarding these instruments... especially Carbon fiber related. I rely heavily on the Sable and Touring Models. I have used them both in studio and live. I hope you all have a great day! Juan John |
#9
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Quote:
..............⬇️..............
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc Last edited by kramster; 03-28-2018 at 03:42 PM. |
#10
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Sable pick ups
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Hey Matt, So it is true... I do have the Anthem SL systems in both the Camrielle, and the Sable. I have performed as well with the standard element and I love them both! 😀 Here is why. The reason I chose the Anthem SL for the Sable is for the dimensions and largness it adds with the mic when performing solo. I have a 13 gauge phosphorus bronze Elixer string, I use a Dawg pick, and I run through an L.R Baggs Venue D.I. I find that on any stage I have played, large or small that sounds amazing! Upon the initial install I worked a bit with the blend knob for the anthem SL. There is definitely a sweet spot when diling in the blend, and once you find it it will sound great. I do not have any effects, compressor, or anything of that nature. Just the guitar and the pre amp. The Sable is built with a bridge plate under the top that is put there for players to install a mic if they desire. Now as a soloist the Anthem SL as well as the standard pick up sounds fantastic to me! Side note... The standard pick up I find works quite a bit better in a band situation. It cuts through a bit more. The Sable and Touring are super active... Long sustains and beautiful overtones that come from these guitars naturally. So as you utilize the standard pickup the settings are very important. Especially the tone knob on the sound hole. I perform with the standard pickup at all the NAMM Shows with Mcpherson Guitars. Start with just the guitar... Nothing else in the line. Turning down the volume on the guitar is a must. As well as the tone. Start flat, but bring down the tone a bit or up... to your preference. Dial in that tone first. As far as the volume goes you don't need much to get that guitar to sing as it has a strong pre amp built in. I have found wonderful voices and overtones with the Sable while performing at the NAMM shows with the standard Element pickup. I also learned that pick choices, strings, and dynamics on these guitars are super important to the sound. So depending on your style and taste experiment a bit and find what suits you. This guitar taught me a lot about that, and I feel that I've become a better player for digging deep into the tonal intricacies of these guitars. For me the Phosphor bronze works great solo. But the 80/20 work wonderfully in a band situation. The Sable is an amazingly strong instrument and has a large full sound naturally. So I would recommend starting with the guitar itself and bypassing effects / compression. A basic pre amp with no pre set tones or compressors would work great! But find that voice first. You won't need much passed the guitar. I hope this helps! |
#11
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Sable amplification
Hi guys! I’m new to the forum. Although I’ve played everything acoustic from Ovations to Martins and Taylors etc. to my old Strat over the last 45 years, I acquired a McPherson Sable last May, and it has become my go to guitar. I play very percussively and whack it pretty hard, and it’s perfect for that non-nuanced style. A close friend and I AB’d it to his wooden McPherson and my stellar Martin JC-40, and without visual input it sounds like a high end wooden guitar. I’ve been extremely impressed with its stability/sameness every time out of the case and how that affects my playing.
Now, although I appreciate those who try to achieve an acoustic amplified sound similar to that of the un-amplified guitar, I also want to use this in a band setting in roles that I might have previously filled with an electric. I realize that this may be a bit of heresy here, but I’m looking for advice from any who have tried different compressors, DIs, drives, and modulation devices, and other effects with this critter, as well as tube amps that have been tried. I haven’t been happy with my old DynaComp and Boss Comp so far, but do want a little compression in the chain. Think Monte Montgomery guys. Thanks! |
#12
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Welcome Skeeterooooo,
Thanks for posting that...intreresting!
__________________
YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#13
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Quote:
https://drive.google.com/open?id=1gY...AfnPpI4CpIL7Yv
__________________
jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields Last edited by jonfields45; 03-29-2018 at 06:11 AM. |
#14
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My Emerald Opus X20 is equipped with a Baggs Element pickup that has bugged me from time to time with an overly amplified bass E string. I found the on board preamp tone setting wheel had been set on full bass...by accident. Readjusting that fixed my problem. Hope your fix is as simple.
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Angie |
#15
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You could also go more complicate and add a K&K. At that point you would have to run a 2 channel setup to get the most out of it. The K&K has completely different eq needs verses a UST, so separate eqs as well. You would also need a 2nd output jack. Many MANY players run dual or triple source systems with the K&K being the common part. The K&K has the exact opposite problem you're having... HUGE bass (easy to dial it back). I'm often shocked how many people still run a full quack setup live. I see big performers on big stages with horrible tone... but the screaming crowd doesn't care. So it all depends on venue and personal preference in the end. I can't tolerate it at all, I just change the channel or switch the song as soon as I hear those UST tones. I should add that I have super sensitive hearing, so the tones are quite grating to me. I didn't mind 100% UST when I was 20. However even in my mid 30's (before my hearing went wonky) I could not tolerate 100% UST anymore. |