#31
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I wound up buying a D28 with my ears. I could have bought absolutely anything. |
#32
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Nope.
When I first started playing guitar I discovered Martin guitars, but wouldn't get one until I learned how to play 3 songs that I've always wanted to learn. So... almost a year later, I finally was able to play all 3 songs so off I went. I ordered online, bought brand new, and never played it first. (Of course Maury's Music offers the 14 day inspection period) When that Ambertone beauty showed up, I tuned it, and WOW!!! I LOVE my D-18!!!! I don't buy that a Martin standard series guitar could be a "dud". I'm betting the strings were dead, or it had loose or cracked braces, or some other structural issue. |
#33
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I learned to never buy online, but it took some errors to learn it, and luckily via good return policies I didn't lose $ yet gained knowledge. I feel bad for people losing hundreds/thousands on guitars they don't like. You know almost immediately, too, if you're going to bond with a guitar. If it's not happening within the first minute you're lying to yourself if you say you like that guitar. Lol. |
#34
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For example, I have never played or heard a Taylor I liked. Just too bright and thin/crispy for my ear. Others love them. If someone orders a Taylor based on looks or reputation they might be in for disappointment and call it a dud, even though that guitar might be great for someone else. |
#35
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#36
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I had never met him in person, only talked to him on the phone a little. Tried hard to like the mandolin once I finally got it, but it just didn't work for me. Then five or eight years later I was at a guitar event, talking to my longtime friend and Collings dealer Jim Baggett of Mass Street Music, when Bill Collings himself walked up. Jim introduced us, and Bill said: "I know you, I built you a mandolin that neither of us liked!" It can happen. Sometimes the stars just don't align properly... That said, most of the custom instruments I've ordered have been superb. So it's worth doing. And as I've said before in other custom instrument discussion threads, the more you know, the luckier you get. What that means in practical terms is that the more you know about the sort of instrument you're ordering, right down to the type of tonewoods and neck profile you want, the more likely it is that your luthier can deliver an excellent instrument that will suit your needs perfectly. Hope that makes sense. Wade Hampton Miller |
#37
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It would be really hard to know if a guitar is a dud unless a bunch of players with varying styles and preferences all tested it out and agreed on it.
As we age, we lose hearing in the high end, too, so I wonder how many people simply aren't hearing how bright certain guitars are, etc. |
#38
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I would agree with that. Not liking Taylors doesn't make them duds. I'll be the first to admit that I haven't found a Taylor with a cutaway that I like. This does not make them duds, either.
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#39
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Conversely, one of my favorite instruments is a $50 Yamaha FG 400 laminate. Definitely not a dream guitar. But it has this really comfortable "slinkiness" to the neck/playability that's awesome. And once the strings die on it, it sounds straight out of the Delta blues. It's technically crap and worthless, but to me it's invaluable and a joy. That's why you can't get hung up on price, names, etc. It either makes you smile or doesn't; it either makes you play more and become better or you ignore it and regret the buy while not wanting to admit it. There are few guitars in between.
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#40
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I will say this though, the most consistent sound I've found from guitar to guitar of a particular model is the GS mini. Obviously the sound doesn't beat a more expensive solid wood guitar on the norm, but a I've not yet encountered a dud. They sound like they sound. Perhaps the layered (laminate) wood is the reason as it also is for inferior sound. |
#41
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No. For me a "dream guitar" can't be without playing it first. Otherwise it's just another incoming guitar that I hope will be a dream guitar. Once played, it either is or isn't. I've sold Martins, Collings, Guilds, Gibson's that weren't quite the one. None were duds. None were perfect for me. All are someone's dream guitar. If that D-35 isn't the one for you, just find another. There are many out there.
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#42
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That one put the rest I bought online, to shame. They were quickly sold. The GC hung around until I was completely convinced that the McCollum in my sig was the best guitar I'd ever played. That's the only guitar I have, or will ever have.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#43
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Not that it was my "dream guitar" but I got all pumped up when a local music store got a Used D 35 in and was asking $1600 for it.
I went down to check it out and looked it over carefully and it was in excellent condition. Then I played it and it was very smooth and easy but.... all that bass people rave about wasn't there and it sounded just ok. Honestly, my Eastman E20 D was a better sounding guitar by quite a margin. The Martin was easier to play, but I wouldn't buy it.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#44
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Nope, already lived through that part of my life back in the early 1990s.
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Dump The Bucket On It! |
#45
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A guitar from an established one man or small shop is going to be more or less predictable. They build to a sound not a dimensional spec which is where the uncertainty with factory guitars comes in. With factory guitars you have to try a few to find the one that fits your expectations. If you know the builder's sound for a particular type of guitar then that's what you can expect.
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