#31
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Tweed Deluxe or Blackface Deluxe Reverb or Tweed 4X10 Bassman. DEFINITELY something Fender!
Last edited by terrapin; 02-03-2015 at 03:54 PM. |
#32
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amp for 335
carr rambler hands down
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#33
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Which is essentially a Fender.. GREAT amp, but Leo's circuit.
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#34
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Blackface Twin or Silverface Twin
or blackface deluxe reverb in a pinch. |
#35
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GREAT Tone in video #1!!!!!!!!!!!!
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#36
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Some real love for Fenders, naturally. Mine is pairing very nicely with my 5E3 Deluxe, and I'm still exploring different settings. Haven't found a bad one yet, but some are definitely better than others. Now, if I could get that Super Reverb kit amp sorted out I'd be set.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#37
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That's one of my benchmarks. Sweet as honey
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#38
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Through the late 60s, I played my 335 through a Fender Bandmaster - loved the sound.
'72 to '76, I played through a Marshall stack - loved it. From '76 to 2006 (when I made the change to mostly acoustic) I ran it through a Twin Reverb with a 4/12 extension speaker cabinet. That was the most versatile amp for the 335, in my opinion. With electric, the amp is an integral part of the sound - not like "the guitar only louder" that most acoustic players are looking for. Good luck with the search. Captain Jim |
#39
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For my beat-to-hell 335 w/Seymour Duncan Seth Lover PUs, the best tone for me is through a brown Fender Deluxe. Not BF Deluxe Reverb either - too bright for my taste. The brown Deluxe is warm, rich and organic. Yummy!
I love acoustic guitars ! |
#40
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Best sound I've ever heard on a 335 was matched Fender Blackface Twins playing in stereo.
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#41
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As far as I'm concerned, anything much over 20 watts is going to be to powerful to turn up enough to get the full, rich, slightly overdriven tone I need.
That rules out Fender Super Reverbs and Twin Reverb Amps. Much to loud and clean for me. Larry Carlton recorded many of the Steely Dan solos with a 335 and 50's Fender Tweed Deluxe. Cool soloing tone but not clean enough for genuinely clean tones - like if you wanted to do some Wes Montgomery type things. I have two 60's era Deluxe Reverb Amps and that's where my best tones come from. I replaced the 12" speaker in both with a Celestion G12H30. That speaker also makes the amp louder and clearer - contrary to what some people think Celestions sound like. Celestions do not automatically produce a distorted rock tone - that's more a function of the amp itself and how loud you have it turned up. Or of your overdrive pedal if you use one. I don't. Top of the line Celestions like the G12H30 are great for all styles: blues, rock, jazz...whatever.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 02-10-2015 at 01:38 PM. |
#42
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She sounds great through the old Fender Twin
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#43
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Bedroom player here.
Love my 59 Historic through my early 70s VibroChamp.
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Fender Thin Skin 55 Tele Gibson J45 Custom Shop KOA |