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5120 Gretsch PUP Upgrades: Worth it ?
Got a deal I couldn't refuse on a Gretsch 5120 with Licensed Bigsby. Muddier tone not at the White Flacon level which for me defines Gretsch tone. Many pay $150 or more a pup for TV Jones pups and say they are close. Other's pay $35 a pup for GFS Retrotron Nashville Ceramic and say they are close to the TV Jones, some not. I also noted there is now a "Hot" version of the Nashville pups at the same price. I know it's opinion, but is the difference between the TV Jones and Nashville worth the extra cash ? Are the Hot Nashville any closer to the gretsch tone than the regular Nashville ? any thoughts would be helpful!
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#2
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These decisions are very personal. The way I would use that guitar, it would always run through my Fender reverb tank. I could make it as treble-y and cutting as I want to defeat the mud. I would spend the $300 on a used tank.
If you like to tinker, buy the GFS bridge if there isn't a discount for a set. If it's a significant improvement, you know getting better ones may be worth it. If it doesn't change much you have your answer for sure!
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#3
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Thanks
Quote:
John John
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#4
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My bad... Reverb Tank. What the "spring" setting on pedals and modelers try to copy. They can go "icepicky" really easily, with some being more so than others. but setup right, there's nothing that can touch it for Surf, Spy, rockabilly... A key component in Neil Young's sound too.
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#5
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Quote:
John
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#6
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play it for a while before you change it. you may end up liking it.
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#7
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Anyway, the main difference between the reverb tank and the reverb "pan" that is inside the Fender deluxe reverb or twin reverb, is that the pans in those amps are inside a vinyl bag to isolate it from speaker vibrations, and then screwed down to the amp cabinet. It is muffled, and then screwed down hard. The reverb pan in a reverb tank, or reverb unit as it also called, is actually floating, suspended by springs itself. So the springs inside the pan are free to take the effect beyond the reverb equipped amps. You often have to isolate the reverb unit off the stage floor to avoid sympathetic vibrations affecting the tank. No biggie. Hope you solve your flash problem. Been there. Done that. Never fun.
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#8
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Back to the original question:
The 5120 came with full-size humbuckers, so the GFS Retrotrons would be essentially a drop-in fit - and you can't go wrong for the price, even without one of their frequent discounts. As far as quality is concerned, I installed one of their acoustic rigs in an old Carlo Robelli J-45 knockoff and it's not bad at all - IMO I wouldn't think twice about buying any of their electric pickups...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#9
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Playing and an interesting discovery
muscmp suggest "Play it, you might like it" and I'll admit for what it is, it sounded pretty good through my Peavy 30 classic with dirty channel on, treble all the way up and a little on reverb knob. It still didn't have the grit and bite of my Epi Swingster Royale , but FWIW is a lot easier/more enjoyable to play (for reasons I am unclear on). So the issue of upgrades remains in the future.
In my search for review comparisons between the Nashville, Nashville Plus and TV Jones PU, I found an add for a brand new White Falcon being sold by a music store with TVJones Classics already installed (from the factory it would appear). Notably lower price than with the Filtertrons. Wow ! That is quite an endorsement of the TV Jones PU whether installed at factory or by guitar store. Still not ready to drop $300 on a set, but thought it was interesting to see a brand new falcon sold with the TV Jones pups right out of the gates. JOhn
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#10
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My limited knowledge of Gretsch pickups goes like this: Gretsch, at least until the 1970s, was known for the lower output of its pickups (unlike Gibson and Fender) which produced a brighter, more sparkling sound. TV Jones pickups attempt to recapture that lower output 50s and 60s Gretsch sound because in the 1970s and from then on Gretsch went to higher output pickups because the trend was to play with distortion and effects boxes (every effects box or pedal you plug between your amplifier and your guitar draws off a certain amount of output). Ceramic magnets are stronger then alnico magnets, so the same amount of output can be achieved with less copper wire in the pickup. The disadvantage to them is their harsh sound (even at lower volumes). They're great if you like to play with a lot of distortion, but if you're going for warm, clean tone, forget about it. Pickups with ceramic magnets will not deliver that.
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#11
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Quote:
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#12
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I did, however, find zabdart's info interesting and informative. Playing last night I noticed a few minor issues, so it is going to my set up guy to get it perfect and then we'll see form there. John
__________________
12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |