#16
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Here's a nice one I saw recently in a transcription of a Herbie Hancock solo on Wayne Shorter's Nefertiti:
-6- 9 -6- 13 -5- 3 -4- b7 -4- 4 -4- R Ab13sus4, but with the M3 included. Arpeggiate it a few times to get the full flavour. Rather limited use. (Resolves quite well to G69, but mainly because the top 4 notes resemble a D7alt chord; ie D7alt - or Ab13#11 -does the job better.)
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#17
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I had to chime in here. Maj7s all the way for me.
Emaj7 Cmaj7 Amaj7 Just lovely. I like to pair that as an opening chord into a key change. Amaj7..Cmaj or Amaj7..Gmaj Fantastic for composing work with tension and relaxation at the same time. Great for those campfire songs in Sedona |
#18
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Quote:
If I only had one choice then it would be this the king of beautiful chords and somewhat of a guitar secret - remember where you go it people 4 x 4 3 0 2
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#19
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There are a lot of them...I guess, at this very moment I'll go with A7b9 X05320.
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There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#20
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I've got to admit that my first reaction to this thread was, "I don't get it". A chord can be pretty in context but on their own most small interval jazz chords sound little better than breaking glass to me. However I tried out JonPR's 4X4302 with some simple claw hammer type picking. Like this,
Code:
E╓───────────────2─┬─────────────────┐ B╟───────0─────────┼───────0─────────┤ G╟───3───────3─────┼───3───────3─────┤ D╟─────4───────4───┼─────4───────4───┤ A╟─────────────────┼─────────────────┤ E╙─4───────4───────┴─4───────4───────┘ . .1 + 2 + 3 + 4 + . 1 + 2 + 3 + 4 + That does sound pretty. |
#21
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Quote:
Please see the thread again as to who posted that chord! I even put a message saying remember where you got it!
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Website | Downloads | Youtube | Soundcloud Guitars : Yairi CY118 │ Maton M225 │ Taylor GC11 Recording│Sony SX712 │ Sound Forge | Sony Vegas |
#22
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Stevejazzx
Abject apologies. My mistake was from seeing your quote. It is pretty and it came from you. Sorry. |
#23
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I will pardon you this one time!
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#24
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"Am9" is just fine. The figure "9" implies inclusion of the 7th, so the "7" is redundant.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#25
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Quote:
I mean we say 6/9
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#26
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Not sure exactly what this is (E Major 9th maybe?) but I've always been a fan of 024140 or variations thereof like 076870.
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#27
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Quote:
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Martin D-41 Eastman E10-OM SB |
#28
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Cmaj7/G 332000
Last edited by DDORSCH; 06-28-2013 at 12:47 PM. |
#29
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A couple of D chords l like. Dsuss4 and Dm7. And a plain A7 also sounds great.
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2023 Eastman AC422CE-ae Katoh DF69s |
#30
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Chord progression: I have always found Dave Matthews "What Will Become of Me" to be particularly haunting/beautiful. It's basically just EM7, A, D/F#, G but he uses a few different non-traditional voicings/substitutions for each chord at different times that really give the progression a lot of texture.
Single Chord: I don't know the name of it; it's some variation of E. I learned it from Tommy Emmanuel. From Low to high E it's 0 2 4 1 0 0
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000 12-fret by Danny Davis, Constructed! Build Thread: http://www.acousticguitarforum.com/f...d.php?t=343091 Ibanez AC240 Yamaha AC1R Epiphone AJ220S "It's folk music so.... you can kind of do what you want." - David Hamburger, Blues Genealogy. Last edited by mdutr0; 06-28-2013 at 11:54 AM. |