#16
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Sober-stringing you say? I'll consider it
I will have a go at breaking off the string ends from the machine heads though and there was also an approach to rounding them over the machine head if that doesn't work well. Thanks for the ideas.
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Englemann/Hog OM (Carson Crickmore course custom build), Breedlove Premier Concert (R/W), 1977 S Yairi YD303, Yamaha LJ16, Fender Tele Standard, Furch Little Jane (Cedar), Baby Taylor BT1 |
#17
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#18
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A picture says a thousand words. I can see where I went wrong now!
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Englemann/Hog OM (Carson Crickmore course custom build), Breedlove Premier Concert (R/W), 1977 S Yairi YD303, Yamaha LJ16, Fender Tele Standard, Furch Little Jane (Cedar), Baby Taylor BT1 |
#19
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Bruce, i'll bet you're a great lyricist! We got from guitar strings and a bloody finger to lingerie.
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martin D-28A '37 | D-18 | SCGC H13 | gibson SJ-200 taylor 814ce | 855 | GS Mini H.V. | goodall RP14 | Halcyon SJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
#20
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Quote:
I usually trim them short after some play, stretching .... and if necessary bend it inward so it's not a finger prick.
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martin D-28A '37 | D-18 | SCGC H13 | gibson SJ-200 taylor 814ce | 855 | GS Mini H.V. | goodall RP14 | Halcyon SJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
#21
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Quote:
Actually I like to restring 1, 6 then 2, 5 and 3 and 4 last and I snip off the excess as I go, not after all the strings are on, probably developed the habit from slot-heads.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#22
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I see a great money making invention...tiny covers for guitar string ends so we don't have to bleed for our art. Any entrepreneurs out there????
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#23
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Like little knitted koozies!
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2017 Taylor T5z Classic 2016 Taylor 812ceN 2016 Taylor K62ce 12 String 12 Fret LTD Koa S.E. 2015 Taylor 914ce First Edition 2014 Taylor 812ce 12 fret First Edition 2014 Taylor 324ce FLTD Koa 2009 Taylor 954ce 12 string 1966 Gretsch Country Gentleman |
#24
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At least I was at home. How many people bring a spare g-string to a gig??
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Englemann/Hog OM (Carson Crickmore course custom build), Breedlove Premier Concert (R/W), 1977 S Yairi YD303, Yamaha LJ16, Fender Tele Standard, Furch Little Jane (Cedar), Baby Taylor BT1 |
#25
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"I tell ya man it's harder than it looks" long way to the top if you want to rock n roll, lol or even folk out
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http://www.jessupegoldastini.com/ |
#26
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Worse is when I somehow had one go up under a nail. YEEEOOOW! I'll tell you what you want to know!! Now I know why that's a popular torture technique. |
#27
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The worst pain known to a guitarist , apart from dinging your guitar . I've been stringing my acoustics the Taylor way for a few years , always leaving a sharp end and I know how you feel . Recently after watching a Martin stringing video I have started to use the Martin method ie wrap over lock . Great method as you can clip close to the post . Yes I have also mis counted the tuning posts not leaving enough string lenth I used to use Legacy strings as they included an extra 1st and 2nd for my electrics
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Martin OODB JT Gibson J45 Yamaha LLTA Yamaha SLG200S Yamaha NTX1200R Taylor GSMiniE Rosewood Joe Brown Uke AER Compact 60 Marshall AS50D Now 100% Acoustic and loving it ! No more GAS |
#28
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Don't Make It Harder Than It Really Is :)
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Yep - that simple and it's done EZ : HR
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It started for me with Twinkle Twinkle Little Star in 54 on a Blues Harp and progressed , then life .....some death ....Evolving as I went like a small rock in a stream rounding out as I went with the flow as I go through the white waters and waterfalls of life . Life has always been interesting to me |
#29
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Thanks for the laugh. |
#30
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