#1
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New Lap Steel Player - Tuning Question
I play guitar in a duo. I just bought a 6 string Lap Steel with the idea of playing it to add a new sound and maybe some variety to our duo's over-all sound. ( Break up to monotony of two guitars). We play a variety of Pop, Rock, and modern Country in our set. I envision perhaps playing the Lap in a song, that doesn't even have lap in it's original arrangement, and, I don't anticipate being a bona fide LS Player. I simply want to play some simple fills, and chord accompaniment to our set. Having said that, what LS tuning might be the easiest for me to grasp, and meet my very general needs? Open D, Open G, Open E, C6, something else? Thanks for any advise.
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#2
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I've found Open E and Open E minor to be most useful in studio work. From those two, if a melody of figure is hard to make work, I'll just detune or uptune a string by a half-step to make things easier if necessary.
Bob
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#3
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My simplistic approach is that if I want a "blues-ier" type sound I use open E tuning. For the traditional "country sounding" lap steel I use C6 tuning. But, to me, C6 requires more work and I struggle to play in that tuning on the fly. With the open E tuning, you're always at least hitting an open chord with the slide. Not so with the open C6.
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#4
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I bought an SX Lap 2 (the one with the P90 pickup), and I keep that one in C6 because that tuning seemed to have the most instructional materials available. (Doug Beaumier, Joe Dochtermann, and Andy Volk are three of my favorite authors/teachers.) I've got an old Squier Bullet Special (single HB) that had rather high action, so I tuned it to Open E and put a Stew-Mac steel nut extension on it. That was inspired by this Juzzie Smith video: https://www.youtube.com/watch?v=rjSijEE4KuQ Toward the end of the song, when he plays the cajon with his right hand, he can use just the bar to make the guitar chords ring out. |
#5
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http://www.rondomusic.com/product8034.html I too, wanted something with P90's and also an adjustable Bridge to help with intonation. And the price was right. We'll see how she sounds. How do you like your SX Lap 2? |
#6
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The Hadean looks interesting. Quote:
I have a lot of learning yet to do on it. |
#7
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http://www.bluestemstrings.com/page5.html |
#8
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Thanks everyone for the advice and info. I appreciate it.
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#9
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#10
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I haven't used the ones that came with mine, but I've read that some care is required when threading the legs into the parts on the body.
I think if I ever played mine on a stand, it would be if I could get one of the LGS 50 stands from Rondo. Those have been out of stock for awhile, but Kurt at Rondo told me "SX has stopped making the older style lap stand, but we may be able to get them to build one more batch as we had a number of customers asking. Will post on our web site if that happens." I know there's at least one other guy on the Steel Guitar Forum who's been looking for one. http://www.rondomusic.com/lgs50.html |
#11
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You very likely will find you'll want heavier strings that what came on the guitar. I've played pop and blues, as well as country, using that tuning. One of those keyboard stands works just fine, too. Doesn't show that great, but here when I was first playing music in SF with the Blue Lamp's house band "Pimp Daddy Jesus", I switched back & forth with my '73 Strat and '51 National/Supro lap steel. I kept in on the keyboard stand. (What a GREAT dive blues bar that place was!!) |
#12
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I find C6 to be most versatile because it gives you access to a major triad on the top strings and a minor triad on the bottom strings, so you can play over pretty much any chord out there without using bar slants. However, it sounds very happy/Hawaiian if you play all the strings together, so if you're playing blues you need to use a lot of restraint. Other than C6, I prefer Spanish G (DGDGBD).
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#13
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I use open E (E B E G# B E), A (E A E A C# E), and C6 (C E G A C E). But I use different string gauges for the C6 tuning (36w, 30w, 26, 20, 17, 15).
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#14
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#15
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Rich,
I'm really glad you brought this up. I got rid of all my good old vintage steels during a year of unemployment a decade ago. But I bought one of those Rogues, which has been sitting up in top of the closet for a while now. The thought of relearning steel in a new tuning, C6th, got me to looking around. I'm now looking forward to being able to play something similar to this primo example one of these days... Cindy Cashdollar (of Asleep At The Wheel fame to me) and Rose Sinclair ripping it up!! |