#1
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I'm gonna pick up the bass...
Okay, situation at a performance recently, everybody traded instruments I swapped with the bass player ... yikes, I loved it.
So ... A pre-owned US Fender P Bass?
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#2
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Do not underestimate the Mexican Fenders
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#3
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A US or MIM P-Bass would be an excellent bass! It's a great skill to learn to play bass well! I enjoy it every time I pick mine up.
I have a Carvin bass; it also sounds good. - Glenn
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My You Tube Channel |
#4
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I like 30" bass so I'd be looking at the G&L Fallout. Yum.
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Yamaha LJ56 & LS36, Furch Blue OM-MM, Cordoba C5, Yamaha RS502T, PRS Santana SE, Boss SY-1000 CG3 Tuning - YouTube - Bandcamp - Soundcloud - Gas Giants Podcast - Blog |
#5
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This ^^^, though I opted for an active Jazz bass as I wanted more control of tone onboard and a hotter signal output. When I bought it I was playing bass in a church where I went directly into the board from stage and the cast of characters on the board were not necessarily attentive. Have fun!
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#6
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Quote:
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#7
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Okay, I like that.
Thank you!
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#8
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Thanks, this sync's with another fella's thought.
I appreciate the advice, tons.
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#9
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I'll do that, promise. Thanks!
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#10
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I went with an American P/J bass. It gives me flexibility and sounds/looks great!
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https://www.mcmakinmusic.com |
#11
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I have a Squier Classic Vibe P bass and a MIM Jazz. They get the job done, great range of tones between the two.
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#12
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Thanks, appreciate the pair
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Doerr LS Cedar/Indian Charis SJ Adirondack/Indian Gibson Dove Spruce/Maple '71 Martin D12-35 Spruce/Indian |
#13
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I have a few. I am playing an Ibanez Mikro right now, 27.5 inch scale, very guitar like and easy on my hands, but only 1 string brand has a low E that short that doesn't sound flubby. From 1977 until 2019 I played a Guild B301, the sound being sort of a Fender P crossed with a Rickenbacker. Sometimes played a Yamaha BB1200A in the studio. Got a Guild Starfire 2 hollow body all maple in 2019, super comfortable to play but a bit of a one trick pony sound wise. Built a bass with an Aria neck from a Gibson EBO copy and a Telecaster guitar body with a Fender P bass pickup, which is now my studio bass, sounds terrific.
I believe that is all...but don't be afraid to snoop around the non Fender types to find the one best suited to you. If I had to choose a bass for one who is primarily a guitar player it would be the Schecter Guitar Research Stilleto; many variations available but all with two common traits: excellent build quality and a full scale bass with the slickest playing, most guitar-like neck you will find. I nearly bought one when I got the Guild Starfire 2 and wish I had, I may sell the Guild to get one, they are outstanding! Welcome to the bottom! |
#14
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Don't rule out a short-scale (~30") bass with two pickups: my go-to for the last 15 years has been a Gibson SG Faded (a latter-day, simplified version of Jack Bruce's Cream-era EB-3), set up with LaBella 49-109 flats and low action as they were back in the day - covers all the sonic territory of my Pedulla, don't need the low-B string on my Ibanez 5'er (that big neck pickup shakes the floor when you're working down on the E string), and the short scale puts everything in a user-friendly position. BTW, contrary to what you may (or may not) have heard short-scale basses are not tonally inferior, any more than a J-45 (24.75") compared to a D-18 (25.5"): FWIW the tonal and handling qualities of these '60s-period instruments have been rediscovered in the last 15 years or so, there's a broader selection of instruments on the market - in all price ranges - than there has been in over 50 years, and I wouldn't make a final decision without taking a few different examples (including hollow and semi-hollow) for a test drive...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#15
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I've taken to playing bass more often in the past decade or so. I love the sound, always have. This century I've collected a half-dozen workable, lower cost basses because I love the variety.* I use them regularly when recording as part of my project.
Short scale (30") may be easier for a guitarist to adapt to, though I play the various scales about equally. I can play faster passages on short scale (likely because my technique is self-taught, and likely inefficient) -- but needing to play fast isn't as common for bass parts. I'm also about half-and half with flat wound strings vs. round windings. I probably play flats more often. Round-wound is still my choice for aggressive rock playing, but I'm doing less of that these days. A particular favorite of mine is the Epiphone Jack Casaday model. It a bit bulky, but the sound with the large semi-hollow body and special pickup really makes its sound stand out. Doesn't hurt that Casaday is one of my original bass guitar heroes. *Long and short scales, flats or round wound, a semi-hollow body, a Squier Bass VI 6 string bass, a Squier fretless.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
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Tags |
bass, fender bass, p-bass |
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