#106
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Yorkville NX25p Yorkville NX55p JBL PRX512 Ev SXa360 QSC HPR series JBL SRX series are passive/ mucho dinieros. JBL MRX series are also passive/affordable. Equivalent to PRX series (without built-in amps/processing. Yorkville Elite series are definitely worth a look. E10's and E12 passives. For an acoustic guitar/w vocals loudspeaker, I prefer something with a 1"throat" high frequency driver. 1.2" Max. I find larger throated compression drivers better suited to electric rock, etc. Depends. You really can't view loudspeakers in isolation IMO. You have to consider the entire audio path. Even the best loudspeakers will sound dreadful if the signal being fed to it, is not up to par. . Bob |
#107
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Lots of talk here about the K8 without a lot of auditioning. My suggestion is give them, and all the others a test drive. Stats are worth reviewing and needy in a lot of instances like with the baritone, etc., but in the end if the Mackies do it for you, buy 'em up. FWIW, my good bud who owns a very nice music store has greatly reduced his inventory of Mackie products due to serious quality control issues that have developed over the last couple of years. He has had way too many products to return and is considering dropping Mackie. I was pretty much a Mackie user up and down the line from mixer to powered speakers until BOSE hit the market. If you do get a chance to audition the QSCs or any of the others in their class, take your favorite mic and your set-up. That will be the true test. I was so surprised by the K8s that I bought them right away, after just buying a new acoustic amp and picking up my SoloAmp. Just my experience and not necessarily yours.
The K8s ARE designed to be used without subs, especially for acoustic music. They sounded better to me than anything in their class. You can add subs if you want but to me that is too much to lug and not enough return in your investment. I try not to criticize anyone's sound preferences since good sound is kind of like love, you know it when you feel it, (or step in it). This post has gone kind of crazy but the bottom line is there are lots of good ideas here and lots of great folks chipping in. After all, we are all searching for the same thing, but the same thing isn't exactly the same for each of us, is it? davidc |
#108
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Some specific models of some companies are built in China. For example, Yorkvilles' YX series are manufacured in China, designed in Canada. All other Yorkville enclosures are designed and manufactured right here in Canada. Same goes for most companies. Depends what market segment they're targeting, and pricepoint they must achieve in order to be competitive. JBL's budget-conscious JRX series, are probably manufactured in China. Bob |
#109
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I think the advice that has been given for the BagAmp -- add the sub if you have bass and/or keyboards -- is applicable for the K8 (and it all makes perfect sense). geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary |
#110
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dcopper: Somehow I missed the fact that you had purchased the K8 after owning the SoloAmp (you did say that, right?).
Did you get a chance to A/B the K8 with the BagAmp (that's probably asking too much) or the JBL 510 (a better chance, perhaps) Finally, did you buy just one speaker or two, and how do you monitor? Thx in advance, geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary |
#111
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Specs are specs. (profound thought for the day)
You gotta get out and actually listen to these boxes. ANY boxes. I've read threads here, where guys are taking SPL meter readings, checking dispersion of so-called line arrays, and coming up with numbers like 68 dB at the back of the room. Geesh!!! Normal conversation is louder than that. For an acoustic act, gimme a loudspeaker with pristine vocal intelligibility first and foremost, and a silky high-end, and tight, articulate bottom-end. Just because a speaker can go down to a certain frequency, doesn't necessarily mean it does a good job at reproducing those lower octaves. Specs are specs! (There I go again ) Bob |
#112
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Hey, I'm with you Bob and dcopper. You need to go out and listen to these boxes mentioned in this thread if you are in the market for one. I've never bought any speakers based on specs. Specs only told me I should take a listen. My ears were the ones that told me to buy them (well, my wallet had something to say about this too ). And telling me I need objective measurements since my subjective ears are flawed when they themselves have no experience with that product? What is objective? From the manufacturer? Even manufacturers vary in how they spec things out. From review magazines? Good luck on that one. I trust my ears over specs and you should trust your ears over my ears.
dcopper: I'm also interested on your comparison take between the K8 and Soloamp as far as sound quality preference. I know, I know...I need to lug my guitar to the local shop and compare myself (eating my own words). Gordon Last edited by GordonHLau; 01-03-2010 at 07:58 PM. Reason: Forgot to put in a wink |
#113
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Well the movie is over and I had a bunch of catching up to do. I really thought by now you guys would have decided what it is exactly that I should buy. Guess I have to give you some more time.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#114
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+1
I think there's a little more focus on specs -- at least in this thread -- because technology is taking us further and further along. Speaker design is allowing a much better response in a smaller speaker -- and that's even before we get into the theory of line array (which introduces projection, dispersion, and other sonic factors). When buying high quality (and recommended) products, I think it's possible to buy without hearing -- although a few will be disappointed in the result. But if you want (and need) to hear the subtle distinctions between high quality components, it obviously requires a hands-on experience. FWIW, geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary |
#115
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The NX55p is a little bass-heavy, and that may or may not suit you. On-board processing deals with that however. I generally set the high-pass filter(low frequency roll-off) at 100hz, and still do a 3-6dB cut on the bass frequencies, in order to get a "flat" sounding box. Bob |
#116
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Are "specs" going to tell you if the mid-range of a consumer-grade box lacks intelligibility? Or if that box's bottom end sounds loose/muddy/inarticulate? Are specs going to tell you if the highs are harsh/strident? What about cabinet resonance? Unless you're dealing with a known entity, I'd avoid buying based solely on specs. Now, if we're talking Danley speakers, or something along the lines of the Klein & Hummel monitors, then we're talking a whole 'nuther kettle-of-fish. Bob |
#117
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I read somewhere that I should just go and get a pair of daedalus w-803.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#118
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Thanks Bobby1note!
If I put an arbitrary limit of $800 (self powered is a must), and go ahead and open it to 12" speakers, then the list grows much longer... EV SxA100+ $540 EV Sxa360 $760 FBT MaxX 2a $600 JBL PRX512 $800 Mackie SRM350v2 $440 Mackie SRM450v2 $500 QSC K8 $650 QSC K10 $700 QSC K12 $800 RCF ART310-A $580 Yamaha MSR250 $470 Yamaha MSR400 $580 Yorkville NX55p $735 Yorkville E10P $750
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Website: http://www.buzzardwhiskey.com |
#119
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(Just kidding Sdelsolray,,, just kidding) |
#120
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They're not popular so they must suck.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |