#16
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I've been doing the same for years, but using snap-lock instead of tape. It's nice to be able to completely remove the tuner if needed, and the snap-lock is rigid enough to not isolate the tuner.
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Ken Emerald Balor 5 string, Taylor GS-Mini Bass, RainSong SGA-FLE, WS1000 Classic N1 and WS3000 N1, Republic Resolian Style 804, Royall Teardrop Tenor Reso A few electrics, a bunch of basses Wandering the continent - CA > IL > NH > TX (for good, hopefully) |
#17
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Quote:
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#18
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One of my fantasies for a screen is the grill from a cheap ghetto blaster. High tech screws, job done.
Another possibility is the beautiful sound hole covers designed to mute feedback. They have a grill-like appearance and can be found in various woods and materials. they are circular which would be just fine for covering a rectangular hole. |
#19
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The Fishman pickup frame has relatively shallow edges, so you would need to create a lip of some sort to hold the screen. However, there are the four pivot pins that possibly could provide support. For me, the guitar is a tool and while looks are important to some extent, functionality is more important. This sound port works great and maybe someday I'll refine the look by cutting off the pins but that is not a pressing matter.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment Last edited by ukejon; 08-31-2016 at 04:24 AM. |