#31
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Dan |
#32
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McCawber “We are all bozos on this bus." 1967 D-28 (still on warranty) / 1969 homemade Mastertone / 1977 OME Juggernaught / 2003 D-42 / 2006 HD-28V burst / 2010 Little Martin / 2012 Custom Shop HD-28V / 2014 Taylor 356ce 12 / 2016 Martin D-28 Authentic |
#33
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Not always true! If you use pins from Bactrian Camel bone
they will scoop your mids.
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#34
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Care to share which pins seemed to add brightness...since the OP may be looking for that effect (as I have with my own HD28)...oh, and to save us the trouble of paging through the hundreds of prior threads on the subject, of course
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~ Music is the cup which holds the wine of silence. ~ Robert Fripp '98 Martin HD-28VR, '98 Bourgeois Martin Simpson European, '98 Collings CJmha |
#35
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Now that's funny
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~ Music is the cup which holds the wine of silence. ~ Robert Fripp '98 Martin HD-28VR, '98 Bourgeois Martin Simpson European, '98 Collings CJmha |
#36
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But seriously ....I changed out the plastic pins on my Martin 00-18V for bone pins and I can hear a slight improvement in sustain and seperation. An inexpensive and worthwhile upgrade. |
#37
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You guys are in good form tonight
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~ Music is the cup which holds the wine of silence. ~ Robert Fripp '98 Martin HD-28VR, '98 Bourgeois Martin Simpson European, '98 Collings CJmha |
#38
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#39
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I tried a set of Tusq pins and I tried a set of Martin replacement plastic pins from Elderly. Both sounded about the same -- bright. And bright was not what I wanted on my D-35, because it's already too bright. The only ones that sounded different, less bright, were the original Martin pins from way back in 1967. They were pretty deformed from years of use but they still worked. My wife was with me in the kitchen when I was experimenting and her reaction to the changes in sound were right in line with mine. I did not have the opportunity to try any donkey bone pins. Who knows? - Glenn |
#40
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This really made me laugh. :
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#41
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From the very first time that I changed the bridge pins on a saddle there was a noticeable difference in tone. Changing pins can affect the total mass of the bridge and as a result, the tone also - that's an undeniable fact of guitar construction, the mass etc of the bridge. Not to mention the effects of the type of the material upon other aspects eg resonant frequency, peaks, troughs etc.
Conversely I have found that changing the nut makes no real audible difference. After all, why would it, given that it only affects open strings anyway. And again, changing the saddle to another material - unless it was really crap to start off with - has made little or no difference. Although in theory it could (as per bridge pins), I have always found that it does not have any effect worth bothering/worrying about. I must admit, it makes me laugh how the opinion of people who make money out these things is often a big sway in people's views on here. Like, "so-and-so says this.." (so it's gotta be true, yer). You could argue that because it's their business they know what they're talking about, equally you could argue that they have a vested interest in selling the items they sell (naturally!). Not too long ago a guy posted sound plots emanating from a guitar with different bridge pins fitted. The plots were different depending on the pin type used. So, case objectively proven.
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Experienced guitar tech and singer/guitarist based in the midlands, England. McIlroy AJ50 Yamaha CPX-1200 Yamaha CPX-700/12 Yamaha LS16 Yamaha FG-300 Yamaha FG-580 Vox V2000-DR + electric guitars.. |
#42
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#43
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There are a hundred more. Look near the top of this page and two thirds to the right ("Search") - I suggest an advanced search, titles only. There is also a Google search box at the bottom of the page.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#44
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yes they can but it is not extremely dramatic. I bought a set of ebony pins for my GS mini and it mellowed even the wound strings a bit too much for my taste. lost some pop. so I have the stock plastic pins in the wound strings and the ebony in the b and E and it balances better now. the unwound are not as bright/brittle sounding.
I did try bone pins once on a Taylor 814ce and went back to the stock ebony as the bone gave it a more artificial type tone where the ebony( same material as bridge) sounded more woody.
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2010 Taylor 816CE 2012 PRS P22 Black Gold Wrap Around. |
#45
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Sure the bridge pins make a difference. I won't say it's fact that there is a sonic difference, but many believe they can hear a difference. It doesn't matter if it's real or perceived, it's what makes you happy. I think on my D-12-20 the change from plastic pins to bone/abalone dot pins added a little clarity and sustain, maybe not. What is important is how much more I liked how they looked. Pins are kind of like guitar jewelry, it's fun to dress them up a bit. Make-up and high heels is going too far in my opinion but I'm sure there are those that have tried it. Here is my 00-28 with mammoth ivory/ black pearl dot pins. Don't know if it changed the sound, but they made a difference to me.
1966 D-12-20 Mike |