#1
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Advice wanted: Where to go from here?
I finished Justin’s beginner course a couple of months ago. I’ve been taking some time to consolidate the skills I learned in Justin’s course before moving on. (Using the excellent “A Beginner’s Repertoire” videos I purchased from Jerry’s Guitar Bar.)
Since I only play for my own enjoyment, and never play with others, fingerstyle seems a logical focus. Is it reasonable to shift my learning to fingerstyle at this point, or do I need the skills taught in Justin’s intermediate course prior to “specialization”?
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#2
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With hindsight, but without knowledge of Justin's courses, you might want to do his intermediate course, which I assume to be strumming and do a beginner's finger style course at the same time. You should keep up with your practising of chord changes and strumming even while learning finger style. I've been playing finger style for a few years, sound clip below, but I still practice barre chords and open chords a couple of times a week. "If you don't use it, you lose it.". Good luck. Finger style is very rewarding, but takes a lot of patience and practice.
Just go very slowly when learning a finger style song. Going too fast only teaches you to make fast mistakes.
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#3
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There is no reason to delay learning the stye in which you want to play.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#4
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The core skills I'm concerned about missing in the intermediate course are 16th note strumming, barre chords, hammer-on and pull-off, bends, and maybe scales. Because I don't know what I don't know, I'm not sure what technical skills are needed for fingerstyle. I have the Contemporary Travis Picking book by Mark Hanson. Is this a good place for me to start? I also own Fingerstyle From Scratch, Fingerpicking Pattern Encyclopedia, and Justin’s DVD “Folk Fingerstyle Module”. Justin really preaches slow practice like you do. I use the Amazing Slow Downer, and just purchased Guitar Pro 6 on the recommendation of someone on the forum.
__________________
Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#5
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Like you, I finished the Justin Guitar beginner course two years ago and immediately jumped into fingerstyle. Highly recommend Mark Hanson's Contemporary Travis Picking and then Art of Solo Fingerstyle. I did about 80% of the former course and I am about 1/4 through with the latter course. I also do Skype lessons with Mark once a month. A great thing about Mark is that he has plenty of additional material that supplements both courses quite well. His website is accentonmusic.com.
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#6
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Quote:
__________________
Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#7
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His teaching progression is very structured and thoughtful for anyone wanting to become a solid fingerstyle player and/or Travis picker. You may also want to consider another book Mark did called Beyond Basics - Fingerstyle Guitar. There are some great songs in that book that are pretty doable for a beginner yet they are performance worthy pieces (four come to mind - Canyon Canon, Wheels, Windows, and Key to the Kingdom). I'm a big fan of Mark's teaching method and materials. It really got me on a solid path to transitioning from a beginner to an intermediate player.
__________________
Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#8
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Mark Hanson's books are excellent. Guitar Pro is the way to go.
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#9
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Looking for a structured method for a structure minded person can't be argued with and the discipline is commendable.
Mine was a bit different insofar as the lessons went. I bought a book on Travis picking and a book of chords. The Travis picking book was straight forward and I had the style down in a couple weeks, smooth in a few more and making my own simple 3-chord stuff up not long after that. Estimating, maybe 6 months transpired before I was playing fluidly in the style and within a year it evolved to making up my own patterns and dynamics (hammers, pulls, bends, double stops, arpeggios, etc). Never got much into harmonics, though, so I can't speak knowledgeably about that. So, I suppose I structured my time and discipline into a regimen though it was only via a single book on picking. All I can say is to find a resource on picking styles and choose one that suits your speed at this juncture. Then, once you can honestly feel adept at it, combine it with one you already know. Make lot's of music with them mix-matched and you'll find yourself naturally progressing because your fingers just want to git-it once baited. |
#10
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Unfortunately, I don't really have enough knowledge of fingerstyle styles to make an informed choice. I have read about "travis" and "carter" styles, but don't know which would suit my goals best. (I only play for myself, by myself, and don't sing a whole lot)
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