#16
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It sounds like you played a guitar with a really good setup. That can make a huge difference in play ability and sound, and that is not out of your reach at all.
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#17
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Last edited by Steadfastly; 03-25-2017 at 05:42 PM. |
#18
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Maybe they are subtle to someone whose playing style (or chosen genre) doesn't highlight those differences, or whose ear or hands aren't attuned to those differences, but the differences are real and not subtle at all. There's a reason why a Walker, Somogyi, Sexauer, Kostal, Traugott, Claxton, Klein, Wingert or Greenfield guitar carries such a premium over other guitars. I've tried all of those and the difference is clear as day. I was at a party once filled with exceptional guitars. I played dozens that day. Dozens. The best ones? Wingert, Sexauer, Klein and Walker. By far. Not even close. And there were many, many others by luthiers whose names you'd recognize and whose prices can be intimidating. I didn't know anything about Walker. The host handed my his guitar and said "try this, you might like it." I played a couple of tunes and my eyes got really big. The host was grinning from ear to ear. That's not to say every luthier-built guitar that costs $6K and up is better than that $6K Taylor. I completely believe that Taylor sounds like a million bucks. I have one like that. But denying or dismissing the differences between factory guitars and top-shelf luthier guitars is uninformed.
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Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin Last edited by rogthefrog; 03-25-2017 at 03:16 PM. |
#19
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NOBODY can put a price on "opinions" or personal preferences, one man's dream guitar is another's "not so much", neither is right or wrong for themselves.
I have/had a few $10K plus Martins, that will buy a lot of luthier boutique price range instruments. If I had preferred them that's what I would own, but my ears have loved Martins forever, that's what works for me. Am I saying high end Martins are better than some boutique builders, absolutely not, only they are "to me", and in somebody else's world if Ryans or Olsons hit the spot, good for them, no skin off me. Do higher prices "in general" provide better instruments, I believe so, but only a fool follows a strangers opinions over their own ears, whether it's a $500, $5000 or $20000 guitar. As F. Zappa said....."shut up and play"
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#20
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I see this in my Photography forms too...
I dare call GAS..gasp... covetousness...in my photography forums I see it there too...the need for the Nth pro camera body, the type that costs $6,000.00 plus.
Covetousness, the thinking that just one more material gem will somehow make one feel better, complete, alive. Still, these "gems" can each be different, have different qualities, and one might be able to truthfully justify having X number of them. People also do this with clothes, shoes, purses, lenses, vehicles...its that demon Retail Therapy! LOL |
#21
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I fully realize that there are plenty of Yairi's and other premium luthier-built guitars that use high quality wood in a laminate. I've played a Wingert and a Greg Smallman that were both truly wonderful. At that exalted level of build quality and five-figure prices, I simply don't worry much about what wood choices those luthiers make - they have forgotten more about wood and tone and building than I will ever know. Are all wonderful instruments far beyond my abilities. I seriously consider an $8K Australian builder at the 2011 Healdsburg show. It definitely had some special qualities. |
#22
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#23
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Every custom guitar I have played or owned was different than every factory made guitar Ive played or owned. I have not played all nor all price points of factory guitars but they all look and sound like a slurry of raw materials were poured into a form and when dried they pop it out of the form and there it is. A luthier made guitar looks and feels real. I dont mean sloppy just different than a factory made guitar.
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#24
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When I play for money or to entertain, I plug in. When I play for me and my friends, its unplugged. And that's where it makes a difference. |
#25
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As a player it's actually quite easy to understand. The feel of a full gloss finish over a satin one. The comfort of a neck profile that you get to choose - or even have customs carved for you - as opposed to whatever is hanging on the wall in the budget section. The smell of a fresh finish over that of a dusty used or NOS instrument that's been beaten or neglected. The responsiveness of a well set up guitar with low action and fresh strings. The light feel of a guitar designed to be responsive like a race car vs. the clunkiness of a utilititarian instrument. The smell of raw wood vs the smell of dust. The comparisons are endless.
The trouble is how do you get your loved ones to understand if they don't know these things? Can you liken the difference to a car buff by comaprisng a Ford Sexan to a Ferrari super car? Can you explain to a wine connoisseur by expressing the comparison as they would a jug or box wine to their favorite vintage? If you can, then that's quite a gift. Otherwise you have to suffer with a taste for prime rib on a peanut butter and jelly budget.
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(2006) Larrivee OM-03R, (2009) Martin D-16GT, (1998) Fender Am Std Ash Stratocaster, (2013) McKnight McUke, (1989) Kramer Striker ST600, a couple of DIY builds (2013, 2023) |
#26
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I know what the OP means, but I've already started to climb the ladder. I don't know how high I'll go, but I'll find out....... with Taylors you get very good playability in nearly all models. But there is still a big difference between my514ce-LTD and a 114. Nit just the sound, but also in playability.
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In order of appearance: Aria LW20 Dreadnaught Seagull Maritime HG Dreadnaught Seagull Natural Elements Dreadnaught Taylor 418e Taylor 514ce LTD |
#27
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You already have some very nice guitars and that you're taking lessons says that you take your craft seriously. I predict that as your skills continue to improve you will act on your new understanding of the value of high end guitars in terms of the pleasure of playing them.
In my experience this is often not a rational or logical process. Each of my guitars have spoken to me in a very visceral manner that I still can't fully explain. And each time I start to think 'I don't really need all these guitars' the playing of one I'm considering selling is such a pleasure that I change my mind. I'm at a place in my collection that there is really no duplication as each one has a distinct voice and purpose. I'm blessed in that I have sufficient income and a very supportive wife so that my purchases don't cause problems at home and we're not selling plasma to pay the rent. May you be in a similar situation and at least enjoy the great fun of trying out beautiful guitars-even if you never purchase a higher priced instrument than what you already have. As to GAS...I can quit any time I want
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#28
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I "get" you're getting it.
I was in the same boat ~6 years ago. I had learned on Epiphones, bought an affordable Aria and had a Yamaha all-laminated tank. I had shopped and shopped and researched and researched and shopped some more. Then, I went into the high end room at GC and tried out my first Taylor.....it was a total awakening moment. From that moment I knew that was what I wanted and would have. Those have been my main favored brand ever since. I had a similar awakening experience when I played a Bourgeois OMJC and then again when I played a Lowden.....same experience.....ratcheting it up a level.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#29
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But I still can't really tell the difference between those nice standard Taylors and Martins the super high-end custom guitars. Not yet, anyway.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#30
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Those who know better just shake their heads and think, "How lucky for his pocketbook, but how sad for his uneducated ears... One of these days..." Sounds like you're progressing to "one of these days." (Although, watch out pocketbook!) |