#46
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It's easier to get big bends on guitars with spring tremolos. Generally I use 10's. Anything lighter and I have a hard time playing in tune.
I'm reading a biography of Tony Iommi now. He pioneered the use of light gauge strings in a time when people thought you could never get a big sound with light strings. Funny that people thing this way still. I hazard a guess that Iommi has proved them wrong. But I don't have enough feel to play light gauge in tune. |
#47
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It feels easier, but the trem is moving. So you are changing the pitch less for the same distance pushed. Or to put it another way, you have to push farther to get to the same pitch as a hardtail, and you may never get there because the trem will continue moving until it physically can't.
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#48
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IME that's only true up to a point. While thin strings work just fine with heavier styles - high-output humbuckers, a wall of Marshall Majors run wide-open, divebomb bends, feedback harmonics, crescendo trills, et al. - I've found they don't fare too well when you clean up the tone and roll back the volume to OSHA-approved levels; in addition, if you bought a hollow/semi-hollow instrument for more than the retro looks, you want to get some natural body resonance and "wood" into your tone, and the only way that's going to happen is if you have enough string tension/vibrating mass to drive the top. FWIW the same principle works rather nicely for solidbody gutars as well: stepping up to a heavier gauge can fatten up your Fender a whole lot cheaper than a set of new pickups (you'll likely never need a bridge humbucker), a set of 12's on an LP or SG can give it legitimate jazz credentials - and a thorough pro setup minimizes the potential for physical difficulties...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) Last edited by Steve DeRosa; 03-01-2017 at 04:29 PM. Reason: typo |
#49
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I use nothing lighter than 11s on my ES-339 or 10s on my G&L Bluesboy (telecaster). They have the sound and feel that I prefer. I can't remember the last time that I used 9s. But they didn't stay on the guitar for long. For my use (no heavy metal, thrashing, wall of Marshalls), lighter than 9s wouldn't be worth the negligible effort of putting them on the guitar. YMMV.
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#50
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Right, there's a sound you can get from thick strings picked very hard (e.g. Stevie Ray Vaughan) that you just can't get from thin strings. Whether or not that's important is up to you the player, but it does make a difference.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#51
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.011 - .049 for me on my electric, which is a Gretsch.
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#52
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#53
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I LIKE IT THICK
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12'S , as well as my acoustic - medium lights . I like a full bodied treble sound , 10's & 9's sound " plinky " to my ears ( YMMV ) HR .
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It started for me with Twinkle Twinkle Little Star in 54 on a Blues Harp and progressed , then life .....some death ....Evolving as I went like a small rock in a stream rounding out as I went with the flow as I go through the white waters and waterfalls of life . Life has always been interesting to me |
#54
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I now have a set of 9-46s ready for my Godin LGXT. As I mentioned earlier, 10s have been my staple on my solid electrics and 11-49s on my hollow Multiac Spectrum. The 9-46s seem interesting because the three bass strings are the same as for 10-46s - just the top three strings are lighter. Those Jimmy Page bends should certainly be more feasible now, but let's see how the strings feel otherwise ...
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#55
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On most electrics .011 Thomastik jazz swing flatwounds, but with the top two strings swapped for .010 and .013, because I tune those strings a half step up from standard to F and C.
I do have an SG Junior and an old Danelectro that wear TI Superalloy rounds, same gauges. |
#56
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#57
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You just need to match the string gauge to your hand size\strength and your style of playing.
As a general guide someone with big hands is going to struggle to play lighter strings and likewise someone with smaller hands will struggle to play with a heavier gauge. There will always be exceptions to the rule but it's a good guideline to go with. As for a difference in tone, I've never perceived one and I think even guitarists would struggle in a blind test to 'hear' the difference. |
#58
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That rule may apply with acoustics, but I'm less sure it's relevant to solid electric guitar players. Jimi Hendrix, Jimmy Page and Jeff Beck were not small or weak-handed people, I think, yet they preferred very light strings because of the ease with which they could be bent up a tone and beyond. I do not think they were exceptions - I think they were typical of a generation that had started to play the electric guitar in a different way from such as Chet Atkins or George Harrison (up to and including Sgt. Pepper). I would imagine that SRV is more of an exception in playing in the style he did with heavier-gauged strings.
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#59
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I'm a little late here but I use 9s on almost all my electrics. I still have a Gibson Les Paul that I have 10s on but I think I'll go to 9s. It's easier on my fingers.
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#60
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Yeh, since I bend almost all the time, no way I am gonna fight a 10 set. Its just so much easier to do. |