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#61
01-12-2018, 11:38 AM
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Quote:
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#64
01-12-2018, 12:11 PM
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I'll take a shot:
A floyd rose now comes on every 800 series and up!
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#65
01-12-2018, 12:27 PM
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+1, for sure.
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#66
01-12-2018, 01:31 PM
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I'm guessing a new bracing pattern. I don't think the video had anything to do with the announcement except to generate buzz. Which, evidently, the achieved.
I would like to see Taylor release a series of traditional sounding guitars with the complement of Taylor features that their fans enjoy. I happen to like the ES2, NT neck, controls on the upper bout, etc. I just want one that sounds more like a Martin. Actually, the new 810E Deluxe is haunting me. I played one that should have gone home with me. :-)
__________________
"Lift your head and smile at trouble. You'll find happiness someday."
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#67
01-12-2018, 02:44 PM
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This came in an email today:
9d72e5c8e915e2a476d26014f4f8fe5f.jpg The "Sneak a peek" link goes here.
__________________
My Music
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#68
01-12-2018, 03:15 PM
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I wonder if it has something to do with this patent.
https://patents.google.com/patent/US...LISTUG%2c+INC.
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#69
01-12-2018, 03:23 PM
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#70
01-12-2018, 03:39 PM
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__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240
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#71
01-12-2018, 03:44 PM
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All Bob ever wanted to do is just build guitars and he wants the legacy of Taylor guitars to live on in the future when he retires.
https://www.guitarplayer.com/gear/an...sign-at-taylor
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#73
01-12-2018, 05:00 PM
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Quote:
__________________
Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4
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#74
01-12-2018, 05:14 PM
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Quote:
 The patent is painful to read, here is what I think is the relevant part: "There exists between the two considerations of the structure supporting the strings a direct opposition. Namely, opposition between the rigidity needed for long sustaining vibration and flexibility needed to produce audible volume in the form of vibrational amplitude. Conventionally, instruments are constructed in a manner which attempts to balance rigidity and flexibility to result in a musical instrument possessing both sustain and volume. Typical guitars and similar instruments often employ a series of structural supports on the underside of the top or face of the instrument, commonly with two main supporting braces arrayed in an intersecting arrangement resembling the letter X........ This method is a compromise between the rigidity of the instrument's top and its flexibility and ability to vibrate......" Presumably Power's new (patented) bracing results in less of a compromise, Taylor doesn't say..... Meanwhile, back in December, Taylor published a blog right under our noses to start teasing about the tradeoff between sustain and volume. Until now... https://blog.taylorguitars.com/guita...volume-sustain
__________________
"The guitar is the perfect drug because when you play it you're in no pain, and when you put it down, there's no hangover." Paul Reed Smith 2018 Taylor 812ce 12-fret DLX 2016 Taylor GS Mini-e Koa Last edited by Guitarsan; 01-12-2018 at 05:35 PM.
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#75
01-12-2018, 05:31 PM
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Gee, I wonder what happened to all the snark????
__________________
RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom.
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