#16
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This is definitely what I would like to do and also get up the courage to get out my 000-18 and jam for awhile and then show him that my guitar is still in pristine untarnished condition.
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#17
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Yep...well said, Barry.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#18
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It’s unfortunate, but I’m going to guess that the guy has had way too many “customers” come in who think of music shops as playgrounds or even damage done that forced him to cut the price of the merchandise. A lot of people have no intention of ever buying, or if they do, they spend a lot of time playing and asking questions, and then go buy online. My friend used to own a guitar and pro audio shop. Online and large chain stores drove him out of business. People wanted to be able to play at his store and get his advice and expertise, but then they would say they were going to buy online to avoid sales tax.
There was one family that came in to take music lessons, and the kids would sit and play all the high end guitars, bang on the drums, keyboards, etc. Their mother did nothing to curtail that behavior, and while the kids were fairly careful with the guitars, they put hours of wear on them with no intention at all of ever buying anything. That’s unfair to the retailer. But it’s a fine line to toe, because you don’t want to discourage potential sales either.
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2010 Larrivee LSV-11e 2002 Jose Ramirez 4e 1998 Seagull S6+folk, Mi-Si LR Baggs acoustic trio 1986 Charvel Model 3A electric 2001 Fender Jazz standard bass 1935 A-00 Gibson mandolin 1815 JG Hamm violin Kelii soprano ukulele |
#19
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Not quite sure why you feel so irked by this fellow's issues. You weren't all that serious about buying anyways. So why are your knickers in a twist?
I'm different from you....I don't mind doing a few things to earn the trust of a cautious or paranoid salesperson. And if I can't earn their trust, I don't usually get piqued....I just move along. Being a salesperson is not an easy job to do year-in and year-out, and most of them are trying to conserve their energy and only turn on the charm when they think it is likely to produce a positive result. I think that is understandable, even though it isn't very flattering or gratifying for the customer who interacts with salesperson who is unhelpful. Just my point of view... |
#20
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I've long enjoyed this Grace Slick anecdote from back in the day...
It was in 1967 that Grace Slick went new car shopping with royalty money. She entered a posh Aston Martin dealership in San Francisco and looked over the DB6s on the showroom floor. The salesmen weren't that thrilled to see her. Remember it was the year the Flower Power sensation hit Haight Ashbury in down town San Francisco. Seeing penniless hippies panhandling and bunking up caused a tourist traffic jam as buses poured through the Haight area daily. A year of this and you can see why local residents were getting annoyed with anyone wearing a caftan, beads and mod clothes. So Grace Slick walks into this dealership and when she asked questions about the car, the salesmen brushed her off. They assumed she was just a window shopping hippie. Imagine the surprise when Grace opened her bag and pulled out enough cash to grab their attention and a check to buy the car outright. It was a shining moment in freak power.
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm Last edited by RP; 01-08-2018 at 10:26 PM. |
#21
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The reality is that even if you go to a store with no intention of buying, sometimes you just have to.
Decades ago, pre-interweb, I was getting into blues and was trying out some ES-335's. I tried whatever I could find in various shops within a two hour drive but nothing really that I had to buy. My wife and I took a flight to the Atlanta area to visit her folks. While the gals where shopping one day I thought what the heck, I'll poke my head into this nice looking guitar emporium and kill some time. Long story short, 30 years later I still have that beautiful ES that took my breath away and they graciously agreed to ship to me. The sound, playability and look of the guitar, the shop folks that let me play whatever I wanted knowing I was just killing time, the price, the free shipping.... they MADE me buy that guitar. There was no way I could not. Of course there was a very nice birthday gift for my lovely wife the next month as well, since she didn't skin me alive for that impulse buy. Last edited by HeyMikey; 01-08-2018 at 10:36 PM. |
#22
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I am mostly a strummer. If I can't check out a guitar, using a pick, there would be no point in trying any of the guitars. I like to strum, hard, to determine if the guitar can handle heavy strumming. This usually puts a fearful look on the salesman/owners face. I never (hardly ever) make a scratch. Not being able to use a pick, I would have been out of there.
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#23
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Fazool is right. I'll add one thing. Large store or small shop, it's your people. |
#24
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When the SO came back to get me she asked if there was anything I liked in particular. As we were going to be flying back I wasn't thinking of actually purchasing anything there, at the time. And the staff had no problem with that, too, as they knew why I was there, and enjoyed the conversation we had. In the end I walked out of there with the sales receipt for a Rick Turner bass. Fortunately, the bass showed up at home a couple days later.
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(insert famous quote here) |
#25
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Quote:
I was on a trip for work, and since it was only a 10 day trip, and I don’t trust airlines with anything important... I didn’t bring any guitars. After like a day, I was dying to play guitar. I went to the closest guitar shop, and when the fella working there asked what I was in for, I straight up told him I just needed to play something. He asked what kind of amps I liked, set one up, and then told me to go grab a guitar. He just let me sit there and play for a while. Super nice guy. |
#26
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This; 'He gets it down and says it will need to be tuned as well.'
It's a music store, tune the guitars every morning and during quiet times. Car showrooms don't have dirty cars with flat tires on display do they? Do your job. p.s. I worked in a small music store for a few years - I tuned the guitars when we had them, it's not hard.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#27
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Another story of mine. We were in the San Francisco area a couple years ago for a family event. I wanted to check out both Schoenberg Guitars in Tiburon, and Gryphon Instruments in Palo Alto while we were in the Bay area. We flew in mid morning and checked into our hotel, then drove down to PA for lunch at Howie's Artisan Pizza, then off to Gryphon where I checked out some wonderful instrument. The staff was great and low key, and I got to play some amazing guitars by Huss & Dalton, Dana Bourgeois and some nice vintage instruments like the 1952 ES-175 I should have come home with, but I wasn't looking to buy anything on this trip.
A couple day later, we drove up to Tiburon to go to Eric Schoenberg's shop there. We got there around mid-morning and, when we walked in, Jim, Eric's business partner, greeted us and said to look around and play anything we wanted to, and that there was a bench outside the front door that I could take a guitar out to if I wanted to hang out there in the sunshine! I was, needless to say, blown away by the hospitality, and the guitars all over the place, on the walls, laying across counters, on stands on the floor; the place was packed pretty tight with pre-war Martins and Gibsons, Schoenberg's own custom made guitars, and several new and vintage instruments I had never heard of. My eyes roamed the walls and I stopped dead in in my tracks when I spotted a very interesting 12 string guitar. I asked Jim to pull it down off the wall to check out what this really wild guitar was. It was a Yamamoto MS-12, a jumbo body, Venetian cutaway, multiscale (fanned fret) beauty. It was the first guitar I had ever played that had a Ryan style arm rest on it, my first time touching a fanned fret instrument, and not only that it featured a Manzer Wedge®!!! Way cool! I played it for a while then Eric came in and we discussed the guitar. I put it back on the wall and Eric showed me some if his own branded guitars that were built by Bruce Sexauer. They were quite nice with appropriate prices attached to them, not that the Yamamoto was inexpensive, itself. My SO and left to walk around Tiburon and have lunch at a very nice Chinese restaurant that had a great view across the bay towards San Francisco. Then we went window shopping for a while before heading back to Schoenberg's place. I grabbed one of the Schoenberg/Sexauer guitars and started to play it, then I asked Eric to play something for us. He proceeded to do his version of Lady Madonna for us. Then lo and behold, look who walks into the shop. It's Bruce Sexauer! I introduced myself and we proceeded to have a nice and interesting discussion about - guess what? After he had left I grabbed the Yamamoto MS-12 once again to get to know it a bit better. Now remember, we were on vacation for a week doing lots of traveling, so guitar buying was not on the ajenda. Shari and I went outside to take a breather, then we walking back in and told Eric the MS-12 was leaving his shop with us. Well, this was another one that we, actually left the shop with just a receipt. I'd have to wait until we got back to Ohio to get the guitar. Really, we were just out there checking out the two world Meccas of the guitar world, Gryphon, and Schoenberg, not to spend our travel funds on a guitar, but we did it again! Since I learned that Tony Yamamoto lived in the East Bay area I called him and he invited us out to his home. Tony was very gracious and spent lots of time with us. He showed me lots of his guitars he had there that I played, some one-off prototypes, and his personal Talus made from Maple and Giant Sequoia; such a cool guitar and so comfortable to hold with its three bevels (arm, chest, and leg)and Manzer Wedge®. Tony showed us his shop and we discussed his building methods, overall a great time with him. A little over a year later I called to talk with Tony and I ended up buying a Talus 12 fret guitar from him. Paulownia top and cocobolo b&s. Most wonderful guitar I have ever played and owned. That is why my great and wonderful custom Martin is on the sales block. I wish I could afford to keep both but that can't be, unfortunately. Anyway, given my great small shop experiences I have a hard time going to the big box stores, although I do get treated very well at my Sam Ash store; I have not been into the local GC in a long time and they are only about a block away from SA. I either get ignored or I am made to feel unwanted there, and I have spent many thousands of $$$ there over the past 20 years since they opened here. Sad.
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(insert famous quote here) Last edited by Jeff Scott; 01-09-2018 at 01:20 AM. |
#28
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Quote:
http://www.acousticguitarforum.com/f...d.php?t=455890
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2006 Yamaha F200TXR 4 stroke. My Guitars - Yamaha FG700S Sandburst; Epiphone Les Paul Standard; 2018 Yamaha LL-16D Natural; Ibanez Talman Bass; Fender Standard Telecaster; Yamaha FG820-12 Natural; Yamaha FS830 Tobacco Brown Sunburst; ....A beginner practicing almost everyday since 12/15/14....{:::]==={=O=I} |
#29
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#30
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Not everyone in business understands how to run one. Always treat every customer with respect because you never know who you're dealing with.
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