#61
|
|||
|
|||
Deal breakers for me are:
Anything over a 000/0M or under 00 in size. Cutaways Skinny neck widths Koa tops Maple bodies
__________________
Rick Ruskin Lion Dog Music - Seattle WA |
#62
|
||||
|
||||
I guess for me it would simply be, if the seller will not come down to the price I am willing to pay. Some things in life need not be complicated .
__________________
Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#63
|
|||
|
|||
Cutaway
Visible electronic controls Soundport Non-traditional soundhole size or placement Chunky rosette inlay Awkward headstock shape Overly figured woods I'm sure there are others but I rarely even pick up guitars with two or more of the above characteristics, and probably wouldn't buy one with even one of them. There are enough great guitars out there in any price range that one can afford to be picky. One attribute I'd have put on the list not long ago would have been lots of "bling" in trim and inlays. I'm a sucker for guitars like Martin's 15/17/18 series. That said, I've been warming up to the idea of something like a 42 series guitar someday... |
#64
|
|||
|
|||
Quote:
. . . but seriously? Nobody else eschews wings? f-d
__________________
'30 L-1, '73 FG-180, '98 914-C, '06 000-15S, '08 000-28NB, '11 GA3-12, '14 OM28A |
#65
|
||||
|
||||
I don't like electronics or soundports. If I see these (especially soundports), I move along.
|
#66
|
|||
|
|||
What are guitar "wings"?
|
#67
|
|||
|
|||
There was a few years back when Martin used narrow neck wood. To make the peghead shape, they glued wood to either side of the neck wood. This joint was concealed by the peghead veneer.
As with anything, it became a point of refined contention. As if the legacy of their methods were compromised. It did seem a bunch of hooey, to some extent. Unfortunately, to me, they also did this on slothead guitars. That did strike me as too much. That I would avoid for sure - a slothead with peghead wings. My 1930 Gibson L-1 has peghead wings. It's nothing new and likely a good option for optimal wood yield. Some Martin fans didn't like it though. And for slotheads, I'd avoid them too! f-d
__________________
'30 L-1, '73 FG-180, '98 914-C, '06 000-15S, '08 000-28NB, '11 GA3-12, '14 OM28A |
#68
|
|||
|
|||
Thanks fatt-dad
|
#69
|
|||
|
|||
I've been following this thread with interest. Just wondering if anyone feels its a deal breaker for a strap button installed on a guitar.
I never did this until recently on my D-28A41 as I take it out quite a bit for jamming so its very useful. But I've heard of some that don't like it. I haven't installed one on my D-18 yeat but am thinking about it. Personally its not a deal breaker for me if I were to buy a used guitar. |
#70
|
||||
|
||||
My goodness, how did I forget that one in my earlier post??
Of course, my Gibson has wings (but very well concealed) so I can't be TOTALLY against them. Just on Martins, haha
__________________
Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#71
|
|||
|
|||
Quote:
However, any modification to a guitar will affect it's originality which could affect the value. For collectors, if a guitar came without a strap button, then, adding a strap button would be considered quite negative. (Drilling into the heel, heel cap or body) If a guitar came from the factory with a strap button, such as with many Taylor guitars, then it probably would not be considered a negative factor. |
#72
|
|||
|
|||
I'm glad to see there are many here for whom the only criteria is that the guitar sounds good. I wish it were so simple. For me, the form is every bit as important as the function.
These are my deal-breakers: 1) Pointy headstock (I'm looking at you, Seagull. I H-A-T-E your headstocks! I feel an onset of hives coming whenever I look at that abomination upon which you've fixed your tuning keys.) Yes, I feel passionate about this. I don't care if it gives you better string intonation. It looks stupid. 2) Jumbos. I have no interest whatsoever in a J-200 or any of its clones. They (and jumbos from all other brands) are just way too big for me. 3) Orchestra models with pointy upper bouts and too high a waist. 4) Bottoms that are too round. It should be flat enough that you could stand the guitar on end and not have it fall over. 5) Small bodies that are too narrow. 6) Taylors. I have yet to play one that doesn't leave me feeling "meh." UPDATE: 7) Cutaways. Never, never, never, never, never. Basically the perfect guitar for me is a smaller-bodied guitar like a Gibson LG (my absolute favourite), and that's what I'm always looking for. An LG, Epiphone Caballero/Cortez, or even some other thing like the Simon & Patrick Woodland Folk Pro (the one with the slotted headstock), the Eastman E5SS, the Farida/Elderly OT-series, things like that. I also like some dreads, especially round-shoulder types (unless, of course, it's a Taylor or Seagull). But otherwise I'm pretty particular about what I like.
__________________
The Loar LO-16BK 1965-ish Stella 929 60's/70's Ibanez Model 369 Classical Dr. Pepper Acoustic - Current Luthier Project Fender Blacktop Jazzmaster Ovation Viper (electric, not acoustic) Framus Strato Star Bass Rogue Lap Steel Past: 2007 Gibson J-50 Last edited by Cozmo; 04-12-2017 at 01:46 PM. Reason: Added #7 |
#73
|
|||
|
|||
"Meet me in the schoolyard after dark. Bring cash," sends up a red flag or two.
|
#74
|
||||
|
||||
Quote:
__________________
Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#75
|
|||
|
|||
Cutaway
Visible electronic controls.. No reason, other than preference. |