#1
|
|||
|
|||
Need help going from D to F#
I am playing a song that has the chord progression
A D F# Bm The song is in the key of D I find the transition awkward and it slows me down(it's a moderately fast piece) when I accompany singers. How would you play this? |
#2
|
|||
|
|||
I would play it any possible way so as to fit into the timing of the song. Maybe you just play the top 3 strings.
|
#3
|
|||
|
|||
If you give up the low bass, it would be pretty easy using open chords.
|
#4
|
|||
|
|||
Can you give me fingerings? I am playing the F# as a full bar chord right now.
So I am going from open D to a barred F# I should mention that the F# and Bm are each only one measure, so it's a quick movement. |
#5
|
|||
|
|||
From low to high I'd play the F# as XX4322 and the Bm as XX4432. All you'd do is shift the F# over by 1 string and add the F# note on the 4th string
|
#6
|
|||
|
|||
Are you CERTAIN that the F# is a major chord? You didn't specify, which usually means a major chord/sound, but it makes more sense harmonically to have the F# be a minor or minor 7th chord... just wondering...
Anyway, if you want the bass note to be pronounced on the F# chord, try "hammering on" from the low open E to that F# on the second fret, 6th string... the bass note alone may be enough as a reference, if you are changing to a Bmin chord quickly; of course, the B note is 2nd fret, 5th string, so it could make an easy transition, both for your fingers and for the tune... a jazzy way to play that Bmin7 would be 2-3-2-x-2-x, if it fits the harmonic context of the song... Hope this helps!
__________________
"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#7
|
|||
|
|||
Can also try:
Start by barre high e - d strings on 2nd fret with first (pointer) finger For D: middle finger pressing on b string 3rd fret + ring finger pressing on d string 4th fret. For F#: start with D fingering above and move middle finger from b string to g string, 3rd fret. For Bm: Start with F# fingering above and move middle finger from g string back to b string, 3rd fret and put pinky on g string 4th fret. This will admittedly change the texture of the chords a bit, but I think it rates pretty high on the economy of movement spectrum. The other way to do it would be to dispense with the barre and don't play the high e that you are leaving open. Not playing the high e string puts the focus on b through d strings with things still possibly sounding different enough. Good luck, good voicing !!
__________________
Curtis Martin om21 Chris Carrington classical Last edited by Ceabeceabe; 05-05-2016 at 09:52 PM. |
#8
|
|||
|
|||
Thanks for all the awesome help! I will try a few of these suggestions and see how it sounds.
|
#9
|
|||
|
|||
Quote:
A x 0 2 2 2 x try a first finger barre at the second fret, either muting or just not playing the first string. D x x 0 2 3 2 try using a three string barre with the first finger and the second finger on the second string. F# 2 4 4 3 2 2 Bm x 2 4 4 3 2 The x on the sixth string could be played at the bar. The other fingers just move together across one string. Last edited by stanron; 05-13-2016 at 02:04 PM. |
#10
|
|||
|
|||
Would it be cheating to capo at the second fret?
Then you get to play in the key of C: A>>G D>>C F#>E Bm>Am |
#11
|
|||
|
|||
Quote:
Anyway, the easy answer here is as LeftArm says: capo fret 2 and play G C E Am. No reason to play barres if you don't have to, and if it's difficult. The other capo option would be fret 7, and play D-G-B7-Em shapes.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#12
|
|||
|
|||
A game changer for me in practicing has been a metronome.
I have a free app on my phone, I wear headphones to hear the metronome and practice hard chord changes (mostly bar chords). I bet it will help guaranteed.
__________________
2015 Martin Grand Performance & 2016 Breedlove Pursuit Concert MH (Mahogany). YouTube Channel - Guitars, Gear, Unboxing https://www.youtube.com/channel/UC_w..._k-vCqoY7yPm1Q |
#13
|
|||
|
|||
Very interesting about the metronome
The song ends on D |
#14
|
|||
|
|||
Is that following the A chord or the Bm? Or is there another section to the song?
Does the song start on the A? Do you have a link to the song? (Sorry I'm just curious )
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#15
|
|||
|
|||
Nothing complicated about this one... I don't find a problem moving from D to F#m, but if you do...
You can play the A as a barre of strings 2, 3, 4. Then play the D as a barre of strings 1, 2, and 3 with the middle finger playing D on the second string. Then on the F#m you can slide the barre to cover all 6 strings and use your ring and pinkie on strings 4 and 5 for F#m. F#m to Bm should be pretty simple as you already have the barre on the second fret. |