#16
|
|||
|
|||
Tommy's Matons are custom builds. The standard factory guitars are generally more heavily built. Not ideal for pure acoustic sound, but many regard them as excellent plugged in.
|
#17
|
|||
|
|||
Quote:
But I stand by my earlier post that Maton's which have been played a lot tend to sound a lot more open and warmer than the ones you pick up in a shop. My son's music school had an old 'house guitar' Maton that was REALLY well worn and had been beaten to death my thousands of students over 20 years. It was a great sounding guitar, and comfortable too.
__________________
······························ ·▄▄▀▀▀▄▄··▄▄·················· ▐·······▀▀··▀▌··········ΦΦΦ··· ▌····║··(░)▒▒▒▒▒▒▒▒▒▒▒▒█████·· ▐·······▄▄··▄▌··········ΦΦΦ··· ·▀▀▄▄▄▀▀··▀▀·················· ······························ » My name is Devan » Guitar and Personal Blog. » Guitar and Gear Review Site. |
#18
|
|||
|
|||
Even Tommy's Matons when you hear them unplugged in his hotel room or backstage on some youtube videos, sound pretty thin in my opinion
__________________
www.guitar-addict.fr Furch OM 32 SM Cordoba Maple Fusion 14 Jackson US Soloist Esp Horizon NT-2 |
#19
|
|||
|
|||
Quote:
I find Maton to be overbuilt and overpriced. As Bruce mentioned, not bad amplified, but acousticly, terrible. |
#20
|
|||
|
|||
Thats a really good point Sixfir, I never considered that... Would explain why the majority of people who use them are professionals and play them amplified almost exclusively.
I just went and had a wack on my brothers Maton and when I hit the body of the guitar the sound it puts out is much more solid than our Martins and Taylors. Would definitely make for an awesome guitar if your doing anything percussive.
__________________
Bourgeois: OMC Custom European Spruce/Cocobolo Cole Clark: Fat Lady 2 Taylor: 312e Taylor: GS Mini Maton: 225 Traveler Guitar: Escape Mark III Epiphone: 220 |
#21
|
|||
|
|||
"Wow, I don't know who Tommy Emmanuel is but the rest of those artists mentioned are my favorites! "
And they all play Matons "plugged in" Does that give you a clue. |
#22
|
|||
|
|||
Quote:
__________________
www.guitar-addict.fr Furch OM 32 SM Cordoba Maple Fusion 14 Jackson US Soloist Esp Horizon NT-2 |
#23
|
|||
|
|||
Quote:
__________________
www.guitar-addict.fr Furch OM 32 SM Cordoba Maple Fusion 14 Jackson US Soloist Esp Horizon NT-2 |
#24
|
|||
|
|||
Quote:
http://www.youtube.com/watch?v=qkKcd51QCiE Wish I sounded that bad....
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment Last edited by ukejon; 08-30-2014 at 09:11 PM. |
#25
|
|||
|
|||
Quote:
Nice playing Ukejon, you may wanna laugh but I prefer your sound rather than Tommy's. He plays great but nothing special about his sound in my opinion.
__________________
www.guitar-addict.fr Furch OM 32 SM Cordoba Maple Fusion 14 Jackson US Soloist Esp Horizon NT-2 |
#26
|
|||
|
|||
Quote:
The player is better than the guitar. Here at home in the real world it's the other way round, all my guitars are way better than the player. I'd love to hear Tommy play that tune on something like a Martin HD-28 just so you could hear the difference.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#27
|
|||
|
|||
The comment about percussive sounding is a good one. Matons and Cole Clarks sound great IMO for guitarists who incorporate thumps and taps and what not into their playing. Xavier Rudd, Diesel, John Butler.
At the end of the day they're just a different flavor of tone. They certainly have their place but I can see how if you grew up listening to Martin, you might criticise Maton as sounding a bit muddy.
__________________
2012 Martin D18 |
#28
|
|||
|
|||
Quote:
And here he is on a guitar given to him by Jean Larivee: On a guitar by Andrei Kibin from Belarus: On a Takamine that belongs to a fan: On a Guild that belongs to a fan: Finally, his beloved 1934 Gibson Kalamazoo:
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment Last edited by ukejon; 08-30-2014 at 10:12 PM. |
#29
|
|||
|
|||
Quote:
Like I said, the player is better than the guitar. He makes anything sound good. The AGF should ban the use of Tommy in any argument/discussion/comparison. He'a a freak. Whatever Maton pay him ... it isn't enough.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#30
|
|||
|
|||
He Brucebubs....I added two more "unfair" videos!
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |