#1
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Rhapsody in Blue
I thought this was amazing...
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#2
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Impeccable technique and stunning virtuoso musicality.
I love that.
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#3
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Amazing technique and incredible tone......bravo, bravo, bravo...!~!~!
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#4
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Throughly enjoying this.
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#5
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I'd give him an AAA for even attempting this as a solo guitar piece. Obviously, very technically challenging and he does an admirable job. However, I wouldn't say his technique is "impeccable" or "amazing". As played, I don't think it is well-suited to a single guitar: it loses something important of the character of the original. Granted the original is an entire orchestra.
Just for comparison, here is a guitar duo that I think much better captures the sensibility of the original. (I think the technique is also much cleaner. Granted, it is easier to have cleaner technique if what you are doing is less technically difficult.) Note the greater range of dynamics and timbre, for example. Also, the staccato goes a long way in adding punctuation and variety. https://www.youtube.com/watch?v=YB-j_pvidq4 Last edited by charles Tauber; 07-13-2016 at 10:25 AM. |
#6
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Quote:
As a guitar player that is also a human being, I am always more interested in the full impact of the music...even if there are some small mistakes along the way. There is no question that this musician has really great technique, and yes, he also makes some timing and fingering errors that are fully acceptable within the context of what he achieves. His small errors are, for me, like water flowing downstream...noticeable, but transitory and forgotten as one continues to enjoy each moment of the music. Not a competition...and I am sure there are plenty of great ways to approach this music. Comparisons are odious. I truly admire what this fellow has accomplished.
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#7
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Quote:
In my opinion, as I stated, the whole of the presentation loses something important of the character of the original. The duo is an example that, in my opinion, better captures the splendour of the original. I have no problem if others have a different opinion. |
#8
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I think both the solo and the duo are stunning. What a joy!
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#9
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I've loved Rhapsody in Blue since I was a small child, and have enjoyed it's being performed on a variety of instruments. Originally, it was written for solo piano and jazz band, either of which offers the artist a vastly greater palette of tone colors and techniques with which to achieve them.
Did the full orchestra versions by Ferde Grofé lose some of the original's character? If your criteria is faithfulness to the original, then yes, definitely, though that doesn't mean they were bad, just different. I find the Kupinski Guitar Duo version wonderfully amazing. They have created great musical expression on this piano & jazz band piece, despite their being limited to a maximum of twelve pitches at any given moment, and those coming from within the confines of two classical guitars. Well done indeed! Ah, but then take away half of even those relatively meager resources. Can Rhapsody in Blue even be played in a musically pleasing way by a single guitarist, without use of electronic wizardry? Frankly, I wouldn't have thought so. There's just too much going on melodically, harmonically, and rhythmically. The video in the original post certainly proved me wrong! Is it exactly like Gershwin's original score? Of course not, but to me it clearly captures both the themes and mood that old George was striving for. I think he would be surprised and proud - of both of these performances! cotten |
#10
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The solo made me really appreciate what he could do.
The duet, well, I couldn't turn it off.
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2010 Allison D (German spruce/Honduran mahogany) 2014 Sage Rock "0" (sitka spruce/Honduran mahogany) 2016 Martin CEO-7 (Adi spruce/sipo) 1976 Ovation 1613-4 nylon--spruce top 1963 Guild Mark II nylon--spruce top |
#11
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Truly enjoyed the video.
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#12
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#13
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I don't think this piece is suitable for solo guitar. I was only able to listen for one minute.
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Classical 2013 Alhambra 9P cedar 1976 Alvarez/Yairi CY140 2005 Alvarez AC60SC 2005 Alvarez MC90C **************** Steel 2002 Martin OMC18VLJ signature 2003 Mauel McCloud Custom |
#14
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Quote:
Dave |
#15
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However impeccable it may or may not be, I thought it was very impressive and I thoroughly enjoyed listening. I have loved that piece of work since I was young and played it in orchestras. Gershwin is always pleasing to hear!
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