#16
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Yeah, that's the point I'm making. Chord notes are also often omitted on guitar, so just naming a chord based on the notes present may end up wrong depending on context.
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#17
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Em7b5 for example, can also be a m7(b9b13) voicing without the root note being played. So in the case of Em7b5, you can consider it an F#7(b9b13).
Very cool way to then use it as a dominant chord with lots of resolution options. Thinking of it as a dominant chord, F#m7(b9b13), resolve it to the Bm7 for a V-1 resolution (key of B minor) Last edited by Dalegreen; 07-01-2016 at 05:31 PM. |
#18
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Quote:
-3---2------------ -3---2------------ -3---1------------ -2---1------------ -----2----------- (2)---------------- The first chord is either an F#7alt (#5b9), or its tritone sub C9. It just happens to look like Em7b5 (or Gm6), but shouldn't be called that, in that context.
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