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#46
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I usually catch stuff like this reading the initial post......not today! ![]() Good thing someone is awake around here, a little late though . |
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#47
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His stage list as of 2005 prairie wind tour: prewar D-18 prewar D28 1968 D-45(heart of gold) That's it for the martins,on the tour he also took a 50's era gibson J-200,a 1956 country western. He also has a 1977 Taylor 855 12 string Bob Taylor made for him.That's the one on Rust Never Sleeps. Sources you may ask? Larry Craigg from Guitar World Acoustic,December 2005.
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One should not be judged by how they are treated, rather how they treat others My Tunes |
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#48
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I dont think your chioce of guitar is as important as what and how you play...a few points to consider.
if you have studied Neils style of country blues....you could reinterperit his songs on any half decent dreadnought....im guessing correct woods will help with tone also maybe...dreadnought shape...rosewood back and sides, spruce top...mahogany neck Neil used a whole range of mainly Martin and Gibson guitars over his career so i dont think any one guitar will be "Jack of all trades" Neil uses diffrent acoustic guitars for diffrent songs. I think either of the guitars you mentioned is heading in the right direction...but if you havn't mastered Neils style of playing and his touch on the strings...the choice of giutar wont make you sound Like neil Young I play some Neil Young stuff quite adequately on a Martin HD35...i think the guitar sound is easier to recreate than the voice ![]()
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1983 Martin HD35 1996 Gibson les paul custom Tanglewood 12 string 1967 Hand made Flamenco guitar |
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#49
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There is a lot more difference than just bling between the guitars. They are distinctly different sounding, due to bracing. |
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#50
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I thought the secret is to get the right set of bridge pins.
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Howard Klepper www.klepperguitars.com "A man hears what he wants to hear, and disregards the rest." ---Paul Simon |
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#51
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The D-28 has standard X braces and the HD-28 scalloped braces, big difference and yes most people can hear it, like 99.9% An HD-28 is hardly considered a "blinged" guitar, Herringbone purfling is hardly bling! If someone was really after the NY tone, then you need to spring for a D-45, and no it isn't just bling, 40 series guitars do sound different (from an owner).
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Rich - rmyAddison Share when you can...volunteer when you can't. http://www.youtube.com/rmyaddison Rich Macklin Soundclick Website Some Martins........ |
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#52
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That's for sure! Since this thread continues on, I would like to point out that HD-28's also have small maple bridge plates to go along with scalloped bracing. Jimmy
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2009 Larrivee P-09 2008 Gustavo Arias Parlor 1A (Nylon) 2008 D. Lake Punahele Iki Parlor 2007 Kanilea G-6 1989 Ramsay Classical (Cedar/EIR) Cutaway 1990 Ramsay Classical (Euro Spruce/EIR) Hauser 1993 Collings 000-2H 1997 Comins "Classic" 18" Archtop Kanilea K-3 Mango 8 string Tenor Kanilea K-3 Koa Super Concert Kala Tenor Ukulele (Cedar/Koa) Mainland Tenor (Mahogany) ALL LEFTIES |
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#53
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HD-28 would be closer to Neil's sound, due to the scalloped bracing, there are exceptions.
End of story. |
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#54
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Toni Martin J-40 |
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#55
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I gotta agree with others that a 40 series dread is a good choice. Look for a "broken-in" one. My next choice would be the HD-28, probably. Scalloped braces makes a difference. I personally like the fwd shifted X (D-42 and others) and think that helps get some of that nice NY/CSNY Mojo goin. Good Luck!
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#56
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Apparently this thread will live on forever. I wonder what Christian G chose? We will probably never know since, according to his profile, he hasn't posted since Dec of 2007.
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