Nothing to add other than definitely in G, oh man that is some tasteful playing - definitely one of my favourite pieces of slide work. I've worked out some of it but whenever I come back to it I'm just gobsmacked and wonder why I bother!!
He definitely plays by feel - obviously the bones are there but every version I've heard of this is different. Check out his versions of Irene Goodnight - each one is different but beautiful. It's almost noodling in D but awesome noodling.
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