Well, I'm impressed. I always suspected there was more to this business. There are still a few things I wish someone could explain to me:
Why does a 7th chord make you "want" to do the dominant chord for that key next, for example, hearing G7 makes you want to play C? What is it about hearing that F note that tells your brain, C has to come next?
How come the black keys are spaced in that goofy way?
Why do minor keys evoke that heavy, somber mood?
Thanks for any insight!
Steve
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1941 Kalamazoo KG-11
1962 Espana SL-1 (probably)
2009 Gibson J-45 Rosewood
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