Not about guitars, but this thread reminded me of this. In the 60s, I spent some time in the studio with a major pop singer who was noted for his beautiful tenor voice. After the rhythm tracks were done, he and the producer would listen and map our three areas. When he recorded his vocals, one would be played slower, one faster, and one at speed. In this way he extended his vocal range by at least half an octave. Always wondered how he sounded live.
Brad
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Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro.
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