I use an adjustable high pass filter (in my preamp) set around 50-60hz to get rid of the low freq room noise but keep the guitar's low end intact. The filter on the mic is going to be most appropriate to compensate for proximity effect at some specific distance (at less distance you'll get more bass buildup and at greater distance you'll overly attenuate bass.
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Chuck
2012 Carruth 12-fret 000 in Pernambuco and Adi
2010 Poling Sierra in Cuban Mahogany and Lutz
2015 Posch 13-fret 00 in Indian Rosewood and Adi
Last edited by ChuckS; 09-13-2017 at 05:12 PM.
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