But do you really want it to sound like a studio miked guitar? I tend to prefer less ToneDexter "character" and more focus when I hear the guitar sound bouncing back at me from the back of the room.
In my opinion, its the performance environment which often stinks. The pickup is a less-than-perfect tool which helps us make the best of a difficult situation.
FWIW, the rig that I'm working on now will feature a passive Barberi Soloist for one source and an active PUTW #27 (wired to a Fishman Clearwave "barn door" preamp) for the second source. I expect to be using the Soloist with ToneDexter or my Zoom A3 for live performance. I'm hoping that the ToneDexter/#27 combo will be good for home recording. I know for a fact that I prefer the #27 over the Pure Mini.
Last edited by guitaniac; 12-05-2017 at 09:21 AM.
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