Quote:
Originally Posted by Steve DeRosa
...finding an all-carved spruce/maple archtop in the $2K range is not terribly difficult. Eastman and Loar both have excellent instruments for under $2K, the former being more "modern" in tone/execution in the spirit of Benedetto/Buscarino et al., the latter being near dead-on replicas of Eddie Lang/Mother Maybelle Gibsons (including the vaudeville-era-correct 1-3/4" thick-V neck - IME you'll definitely want to play one of these before you take the plunge, as things can get physically unpleasant for some folks after a few minutes' play time); if you've got a hankering for a genuine Big-Band/early Bop-era comp box, non-cutaway New York-made Epiphones sell for significantly less than their Gibson counterparts, while sacrificing nothing in terms of either quality or tone - and if you need lots of acoustic cutting power and headroom without compression, one of these is the way to go. Arguably the biggest sleepers in the vintage guitar market today, very-good-to-excellent 16" Epis, as well as the occasional player-grade 17" Devon/Triumph/Broadway, can routinely be had for $1700-2200 depending on year/model - I've seen all-laminate L-48's and laminated-body/solid top L-50's selling for similar money, with nothing intrinsic to justify the added cost other than the "Gibson mystique"...
Hope this helps...  |
Chiming in with my thanks too. Also, I second QS's comment; definitely a lot to know about what's good/ain't about (especially vintage) archtops.
A question about Loar; have they upped their QC game in the past couple of years? Back when I was browsing archtops, and there were still several guitar shops in my neck of the woods, the Loars I was able to demo had some serious problems.