I am working on the build spec for an instrument in the mando family by a well known UK luthier.
He has a small supply of very old, well seasoned and stable Douglas Fir.
This has been used on a few select instruments including a rather lovely custom build guitar.
The wood in question has very tight grain and beautiful cream and pink colouration which would complement the flamed maple body.
I like the idea of having 'local' wood incorporated in the build, aesthetically, emotionally and environmentally; but I can't help wondering if the great well of experience here has any knowledge on the use of Douglas Fir.
If anyone does I'd love to hear!
