Quote:
Originally Posted by rick-slo
Incorrect. It is parallel processing within the reverb software - signal is split, reverb effect on one, dry on the other, then added back together. As far and percentage of wet to dry, not positive method used but could well be simply adjusting the volume (amplitude) of each signal prior to being added back together.
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Well... yes and no
The idea of parallel compression, eq and parallel aural exciters have certainly and historically never been possible (with some rare exceptions) on a plug-in designed to be an in series device inserted on a channel. The idea of wet/dry on a compressor or eq or exciter is a fairly recent development in software plug-ins. Again with some rare exceptions. It was certainly unheard of back in the hardware days.
It also was (and quite frankly still is) a matter of the age old issue of just how much math is a plug-in compressor willing to devote to mixing and compressing vs just compressing.
Until recently compression, bit-depth maximizing, aural exciting and eq were always considered a series device and aux send and returns were always set aside for time based, parallel processing.