Quote:
Originally Posted by jdl
I did a quick search and didn't find an answer, so here goes: What is the best method to ship a mandolin? I just sold mine to someone in Vermont. How can I protect it from the cold? How do I pack it? Do I loosen strings? Paper next to the headstock?
Any suggestions are welcome.
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Joel, I hope you haven't shipped that mandolin yet, because from what I can tell, no one in this thread so far has mentioned the single most important difference between shipping a mandolin versus shipping a guitar: the issue of the movable bridge. You do NOT want to ship an archtop mandolin with its bridge in place, because if you do you're basically providing lackadaisical shipping companies with a perfect way to break the top: if the bridge is in place and that bridge area gets hit with any force at all during shipment, that's the easiest way that there is to destroy the instrument.
If it's a flattop mandolin with a fixed bridge, that's a different story, and padding around it like Bob suggested will be adequate. But the construction of archtop mandolins and the "taterbug" Neapolitan-style mandolins that preceded them means that they're especially vulnerable right there at the bridge.
So what I do when I have to ship a mandolin is first take some low tack painter's masking tape and place strips of it on the mandolin top around around the edges of the bridge. Then I loosen the strings and remove the bridge, wrap it with a rubber band or something similar to keep the top, foot and thumbscrews from falling away from each other, then tuck that into the case pocket. I usually place all of the bridge assembly into a little plastic bag, as well, just to keep it all together.
Then I proceed to pack the mandolin in its case and into its shipping box just as though I was packing a guitar for shipment. None of the rest of the process is any different.
Something that you should make a point to tell the buyer is that, while the bridge placement you've indicated with the strips of tape on the top is accurate and correctly intonated for your area, that can easily shift with any significant change in climate or temperature. So your bridge placement might or might not be accurate once it gets to the buyer's house.
The height of the bridge makes a difference to the intonation of the mandolin, as well, and that will vary by local climatic conditions, as well. Make certain that aspect is understood, as well.
Back when I was still using a wooden archtop mandolin for performance, (before I helped design the National RM-1 resonator mandolin I now use,) I used to have to get my mandolin bridge professionally intonated twice a year: when the snow was on the ground to stay, and when the snow was off the ground to stay. Doing it myself I can get my mandolin bridges in where they need to go, but everything about the mandolin as a musical instrument is so
miniaturized that if I wanted absolutely spot-on accurate intonation for my stage mandolin - which I did and do - it made more sense to pay my guitar repairman to do the work. Because he could achieve a level of precision that I could not and cannot.
So stress that in your communications with the buyer, or else once it gets there and changes with the local conditions, you might have an irate individual on your hands who thinks you sold him a defective mandolin. Mandolins are one of those instruments, like 5 string banjo, where a proper set up is absolutely
critical to making them work properly.
And because their tops can and will rise and fall with the seasons and the humidity levels, those setups have to be repeated on a regular basis. I got away with having it done every six months, and counted myself lucky to only have to deal with it that often.
Hope that makes sense.
Wade Hampton Miller