Quote:
Originally Posted by Bruce Sexauer
I view the separation between the two stiffest spots on the top as the "cantilevered spring" that creates the liveness and character of the guitar. This is not entirely unlike the juxtaposition of the bridge and the soundpost in anviolin family instrument. Putting the two hard spots together usually renders an overly dry and featureless sound.
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I would make that same assumption. What I was thinking was, by combining both structural components, both could be made lighter and more flexible.