05-20-2017, 07:05 AM
|
|
Registered User
|
|
Join Date: Oct 2010
Location: Near Stockholm, Sweden
Posts: 3,921
|
|
Quote:
Originally Posted by Bob Womack
Thank you sir. My wife commissioned it for me in 1999. It has a swamp ash body with transparent red finish, light birdseye maple neck with rosewood fingerboard, white pearloid pickguard, S-500 electronics (MFD pickups, passive bass and treble controls, treble bleed cap, and expander switch), and that ultra-smooth dual fulcrum trem that is very much like a Wilkinson. My sons paid to get it set up by my luthier and it just plays like a dream.
On one client's album I did the parts for a particular song on this guitar and the executive producer like them so much he moved it up to the album opener.
Bob |
The clear red on swamp ash is a gorgeous finish - my ASAT has the same, with natural wood binding.
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV;
Ex-pat Brit in Sweden
|