Quote:
Originally Posted by conecaster
If we keep doing the same things we keep getting the same results.
Contact transducers
Internal or sound hole mounted mics
Coil mounted sound hole pickups
Under saddle transducers.
At high vol all will cycle.
Is this guitarist struggling with feedback?
With a sax right in the face of the guitar, a fully acoustic guitar I made him with our amplification system, a 100 watt JC 120 behind him and drum kit right there. The top of that guitar is no more that .095 thick. A steel string top would be .115 to .125 in most cases
I have spent half of my 48 years making guitars achieving these results. Putting guitars out front as feature instruments on loud stages.
You do not get here with the standard concepts that are all proven feedback devices.
There are better concepts.
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I have no clue what you're trying to tell us.
The drummer is not playing loudly as a rock drummer would., the drums are elevated and very well mic'd, and the guitar player is no where near the FOH. I see some side fill speakers 30' away.
Good job making the guitar for the guy.